Bourgeois, Freud, and Many Menorahs

My affinity for Louise Bourgeois began fifteen or sixteen years ago when I saw some pieces at a museum. I can’t remember which museum or which pieces but I they inspired me to write a poem that appears in For The Girls, I called “Femme Maison.” Actually, now that I think of it, that was probably the name of the exhibit or the piece. Here’s the poem:

Femme Maison
-For Louise Bourgeios

The woman is a house with real glass, real eaves wood for burning when she breaks down and is condemned, useful after death long after destruction, beautiful dastardly distraction.

Also, a quote from this poem appears on my homepage. I guess it’s one of those poems by me that I enjoy. If you also enjoy this poem, you can buy the chapbook from dancing girl press. Support your independent presses, y’all.

I haven’t been to the Jewish Museum since seeing the exhibit that was partially about The Twilight Zone. I went on a Saturday and used the sabbath elevator. I can’t remember artists, but I remember elevators. They had a Bourgeois exhibit called Freud’s Daughter. I didn’t know about the connection, which sounded interesting, but more importantly, I wanted to go to a museum and see a artist I knew I’d enjoy. When BMc asked about museum going, I was like, the only museum I’m going to right now is the Jewish Museum if you want to come with, so he came with.

And by come with, I mean, he got to the museum by driving and parking nearby and I got there by train and subway. I rode the subway by myself for the first time since 2019, and I didn’t get murdered, so my subway days are back! I also walked up a very large hill, and it felt good to walk up that large hill. I even used my mnemonic device to figure out which way to go—1, 2, 3 Little Piggies Make 5.

Sidenote: During the days of Shecky’s, Rooftops, and other drunken endeavors, D taught us this mantra so we could remember 1st, 2nd, 3rd, Lexington, Park, Madison, 5th. It works when you remember the saying. The first time I tried it out, I couldn’t remember the whole thing, and I simply shouted Pigs! Something about pigs! on the street corner in Manhattan. No one flinched. It was most likely not the strangest thing they’d seen that day.

So I got to the museum to find BMc waiting outside. The rules were pretty clear. Get there on time. If you miss the time slot, you’ve gotta wait for the next time slot if it’s open. Bring your vax proof. Bring your ID. Show your tix. I don’t know why the rules were so strict since when we got there, no one was staggered. Everyone was in a line and in the same place. It was the first time I used my Excelsior Pass, so the download wasn’t a waste. Ironically, there were signs everywhere about keeping your distance. I’m not saying it was unsafe. I didn’t feel like it was crowded at all. I just think that the rigidity of the rules wasn’t as rigid as, let’s say, November 2020 Trader Joe’s six foot apart outdoor in the snow line to go grocery shopping.

The first thing I learned at the exhibit was that Bourgeois wrote a lot. This was a side of her I hadn’t known. Some things she wrote in English, some in French, and some drifted between the two. Some of it was coherent. Some of it was iffy. The next thing I learned was about her mental anguish. Her use of language, and her distrust of language, made more sense considering her afflictions. The writing fascinated me, thrilled me, made me want to write then and there.

The visual pieces ranged between large and small, 2D and 3D, expected and wtf. Room after room, walls and floors filled with sculptures, paintings, drawings, and transcriptions of her words along with actual handwritten pieces. My favorite artwork is her metalwork, kind of because it seems to be an undertaking that requires physical strength, though I’m sure a lot of artwork does.

Then there was the cell. A room had a cage that had alcoves where you could walk into and kind of be in the art. Inside the cages were chairs and mirrors. It was eerie and not okay and also pretty neat.

After getting our brains bent by Bourgeois (by the way, I have not spelled her name correctly on the first try at all yet), we saw the exhibits on the other floors. One floor was Afterlives, an exhibit that showed looted artwork. The story behind some of the pieces dives into heroics in history and how people put their lives on the line to save culture. Of course, it was also really sobering—how many innocent people killed because of their beliefs. That all gave me a shudder.

Then there was the permanent collection. A sculpture that reads OY, but also reads YO. Rooms and rooms of menorahs. Like, a lot of menorahs. Different metals. Different textures. One make of tiny chairs. Another made to hold more candles than you would think to put in a menorah. It made me want to own a menorah, but since I’m not into cultural appropriation for the sake of hijinks, I got over wanting to own a fun menorah. There were also some portraits by Andy Warhol and Alex Katz that were in my wheelhouse of enjoyment. Another wall of portraits by Abshalom Jac Lahav were also pretty neat. Basically, if you haven’t been to the Jewish Museum, these are the kinds of things you’ll see there no matter when you go because they’re part of the collection.

While dining is closed in the basement, that’s where bathrooms are, so, you know, that’s where we headed. And that’s where I found my new wallpaper. I want my entire house covered in it.

After museum-ing, we hit the park across the street. We were right across from the reservoir, so we walked around it while other people ran and others ambled very slowly. We saw ducks. The view from the far side of the reservoir is an interesting take on the skyline since mostly I see the view from the near side because it’s the same way the roof of The Met faces.

I’d like to report that while I did accept a ride back to the island in lieu of the train, I remembered I’d taken the train to get to the city, so I did not have to call my mom to take me to the train station to get my forgotten car. I? Am a grown up now.

Mark & Harriet & Clark & Us: Sibling Adventures

My brother has a knack for gardening, and I have a knack for letting plants die, and we found ourselves among flowers and history several times this summer so far.

Clark Botanic Gardens is small, yet easy to get lost in. Several times my brother mentioned how the map is not to scale. I did look at the map quite a bit, thinking maybe this would be the day I could understand spatial relationships, and then I gave up when I noticed something gross on my hand and used the map to wipe it off while doing what any normal adult would do—shouting, Ewww, grosssss, get it offffff.

Also gross was a dead bird we found on a pathway that my brother thought had been killed in a sacrificial ritual because it looked like it had no head. I suggested that animals could have eaten it, and he suggested that animals would not be so precise. Neither one of us got a real good look at it, so let’s call this debate a draw.

Other than gross, the gardens were pretty. There was an apiary (but I didn’t see any honey for purchase, which was a bummer). There was a gazebo. Then paths wound around paths, and we saw art and flowers. A man with a camera and a large beard who referred to himself as Santa Claus ran into us several times, and each time he pointed out the turtles. One time he shouted at us across a pond about the turtles. Sure enough, there were turtles we would have missed otherwise. We also saw a rabbit and monarch butterflies. We started to see the same plants over and again, we realized we made our way around several times, just in different ways. There was also art, and we all know how I love public art.

You know where else there are gardens? Connecticut. We drove out to the Mark Twain House where there is also the Harriet Beecher Stowe House, and Stowe kept pristine gardens.

Let’s take a side note here about how I have misconceptions about history while my brother is a history teacher. You may all recall the There Are Two Hoovers incident, which garnered a full on facepalm. This time around, I kind of eased my way into the misconception: I know that Harriet Tubman and Harriet Beecher Stowe are two people, but sometimes I think of Harriet Tubman when I hear Uncle Tom’s Cabin, even though Stowe wrote it, and also, Stowe was a white lady, and sometimes in my mind (like always up until I saw the Stowe house) she’s black.

Perhaps my brother is now beyond facepalming at my historical inaccuracies because there was no shout or self-flagellation that occurred. A bit of a head shake. Perhaps because I was already shaking my head in my own shame already.

Anyway, we started with Twain. There’s a building that serves as a museum to show a Ken Burns film and a panel exhibit of Twain. Something I re-learned: Samuel Clemens named himself after a nautical measurement. Something I learned for the first time: Samuel Clemens, aka Mark Twain, was terrible at inventing things. He tried a printing press and a memory game among other things, and they were both not good and sent him into debt. It’s a good thing the world loved him because he went on a talking tour to earn money to support his family.

His house is large. He had several children, but still, large. It’s also very ornate, each room with wood carvings and stenciled wallpaper. He had fancy fireplaces installed throughout the house, too. He clearly built the house he dreamed of owning when he’d had very little growing up.

The tour guide knew a lot. We heard so many dates and facts. When someone asked a question, she always had an answer. That means, on top of knowing the script for the tour, she has additional knowledge rolling around in her Twain synapses. It’s impressive. It’s one thing to memorize a script, but to be able to also offer answers to questions you don’t know are coming is super neat.

Once we got back to the museum part, we finished watching the Ken Burns film we’d seen only part of and then headed to the Harriet Beecher Stowe House across the yard. It’s literally a few feet away. Once that tour started, we quickly learned that the Stowe family lived there first. Twain build that monstrous house in her backyard. They were all friendly, so it wasn’t a big deal, but still—that massive thing going up behind such a regular-sized house had to be a bit of a headache at times. Stowe was happy to have this smaller house; she, too, at one time had a massive house and decided it was too much.

Her house has many of her own paintings. It also has plants. It also has her paintings of plants. She was really talented. During this tour, a family of four joined us, and one of the daughters had completed a school project on Stowe, so she knew a bunch of stuff. The tour guide was very attentive towards her because of this, which was nice because it made the tour simple and a bit slower than that face-paced-facts-in-yo-face of Twain. Something I re-learned is that Stowe wrote Uncle Tom’s Cabin. Something I learned for the first time—well, we already know but I’ll say it again—Stowe was a white lady.

Another side note: I mentioned this to my mom, and she said, You know what? I think I thought she was black, too. So there. We’re all not on top of our history at all times. Why do so many women have to be named Harriet? And by so many, I mean two. These two in particular. It’s very confusing.

One room that makes you go, Oh my, is the one with all the memorabilia about Uncle Tom’s Cabin. While the book was meant to rail against slavery and racism, it inspired plays and movies and adaptations and toys and knickknacks that were very racist. It reminded me of when we went to a museum that had a sign that there would be racist images in a particular exhibit, and we were like halfway through and were like, there’s no racist stuff her, and then we turned a corner and saw a huge propaganda poster that used the word Jappy, and we were like, oh, yes, there it is. What we’re learning is that a lot of history is racist. And also, the Hoover incident occurred during the same adventure.

At the end of this tour, we went into the small museum gift shop and wrote a note on a community paper about the experience. I wrote that it was inspiring. Stowe lived a long life of writing and art, so of course, that’s inspiring. Also inspiring are her gardens. The flowers are so vibrant, and they made me almost want to plant some of my own. Almost, but not quite. I’ll leave the pretty plants to my brother.

Poetry and Cannonballs

The best part of NYC Poetry Festival is its location. After years of wanting to go and not understanding boats, I finally got myself on a train to take a taxi to catch a ferry to go to Governors Island. What I thought was going to be a day of simply listening to poetry turned out to be an exploration of NY history along with booths upon booths of swag and conversation.

Before anything poetry, BMc and I met up and wandered into forts called castles and forts called forts. We were able to pick up heavy things that weren’t as heavy as cannonballs. I don’t know the point of this activity, but we did it. We also found something called a playground that seemed to be a way to lure children into getting tetanus or an art installation or both. Then a park ranger told us we could walk up a cobblestone path behind some of the buildings where the boat people reside (don’t ask—I don’t know, either) and find some cannons. We walked up the path and found some cannons! Each cannon had a sign that said not to climb on them, so immediately I wanted to climb on them, but I didn’t because it was early in the day and getting kicked off the island before the poetry wasn’t a good plan.

My two main concerns aside from boats were bathrooms and food. Actually, these are my concerns for life: boats, bathrooms, and food. I’m happy to report there’s a bathroom as soon as you disembark in the building that has the art gallery. There are also bathrooms that are trailers with stalls and not singular portapotties. I’m also happy to report that food trucks is where it’s at. I have issues ordering from counters, and luckily, I found a truck that was more of a cart and I could order at eye level. The salad I got was heavenly. I also purchased a cup of water for $2, but there were two limes in it, making the purchase worth it.

The poetry was a great plan. I listened to a group called Camperdown whose readings I’ve gone to online. I also listened to a chunk of the Red Wheelbarrow Poets, a group BMc is associated with. I heard a bunch more in the background because there were three stages of poetry all day plus an open mic. Not on a stage was a fun performance at the Walt Whitman Initiative table, which was my favorite poetry of the day because it was more than being at a mic but it was poetry in yo face.  

That’s also where I met in person for the first time someone I’ve known online through Walt Whitman Birthplace Association since I’ve been working with them. It makes sense that I’d meet him at a Walt Whitman booth, but to meet in a place that requires three methods of transportation is kind of funny. Then again, that seems very Whitmanian.

I also listened to Terrance Hayes and some of Deborah Landau, the two headliners for Sunday. That was the only time I felt like the entire festival quieted down.

The booths I hit up for some fun writing chatter:

The National Association for Poetry Therapy – this is a real thing and it makes me happy.

Nine Cloud Journal and the Queens Poets – I ran into a few poets I know from Queens, met some new poets from Queens, and bought some Queens poetry.

Sarah Lawrence College – I got professorial for a bit. They have a speculative writing track, and I’m all about that.

Squidbath – Old photos plus typewriter quotes plus stitching equals magic, and I have a piece hanging on my wall in front of me as I type this.

I also ran into Sarah Kain Gutowski whose name I recognized and we had one of those conversations trying to place each other’s names and faces. She had a booth that showcased a poetry and visual art project she’s been working on, which was stellar. Then we both remembered that I’d read for her students a few years back, and that conversation turned a bit towards how Fall 2021 is going to be as nutty as this past academic year has been.

Then I found the table for the Poetry Brothel and wanted to purchase one of everything. I found my necklace by Madame Tallulah and wore it for the rest of the day.

I also bought a tiny book by Michele Rosenthal called Smaller Than Life because it made my heart happy.

My most favorite activity of the day was the Poetry Labyrinth. You take a rock with a word on it. You walk around the brick labyrinth. You sit down. You write a poem. You can keep the rock or put it back. You can keep the poem or hang it up. I want this in my backyard. If I weren’t spatially challenged, I could probably make one.

The other most favorite part were the views. Like, I’ve seen the Statue of Liberty before, but from this island, it’s brand new. I’ve sailed on the Sea Streak into the port at sunset, but it looks surreal once more from this angle. The city is enchanting with all its history and all its words.

Then I got really excited when BMc offered to drive me home, so excited that I forgotten I parked my car at the train station that morning and then couldn’t figure out where my car was until after I got into my jammies and put on my acne medication that looks like clay and then called my mom to see if she could take me to get my car and I’m 42 and you’re welcome.

Go Van Gogh Go

A family friend gifted my little fam tickets to see the Van Gogh Exhibit. The tickets were for a Saturday morning. My mom hadn’t been in the city since the end of 2019, which is super weird because she’s a city girl. Here was the perfect opportunity to jump back in.

With luggage for one night, we headed in by train. My instincts to make sure she enjoyed herself consisted of my scolding my mom to not suddenly stop in the middle where people were walking and to not walk near gates that could make her fall over. I’m a bag of fun. She didn’t mind, however, because she did not fall and did not get crushed by the crowd due to my instructions.

The hotel was fine in the way that pandemic hotels are fine. They had no amenities, but the bellhop gave us water when we entered. He was the only person I liked at the hotel. He got a tip. Everyone else pretty much was not up to usual hotel-friendliness. When we got to the room, my mom decided to take a break for a while, and I decided to go outside for a while.

I had no plan. I was in the middle of the city and didn’t know what to do. As we all know, public art is my jam, so I headed over to City Hall Park. There was public art! I made my way around and through the park, taking in the public art, giddy and gleeful to be looking at the art that was public. See? I am a bag of fun!

The Brooklyn Bridge kept showing up at every turn, so I was like, Hmm, maybe I’ll check out that bridge. First, I got a tea from Starbucks because I was thirsty and had nothing to drink because I’d had no plan. Starbucks was super loud, and I’d ordered with a mask on, and I wound up getting the wrong tea. I sipped it anyway because I was thirsty and needed to be hydrated for this walk I was now taking across the bridge. Yes, that’s right, I got to the bridge and kept walking, and now I was in it.

That’s when the overcast day turned to the sunniest day in split second. My wrong flavor hot tea was probably not the greatest way to hydrate, and I had no sunscreen on, and I was holding my elbows out to try to catch a breeze without sweating. People walked by, ran by, whipped by on bikes and other wheeled things. Everyone was alive, and I was once again smiling at everything as if I’d never been outside before.

I thought back to about a decade ago. It may have been 11 years instead of 10. It was the first time I’d walked across the bridge, starting at the Brooklyn side that time. Along The Shore was a Landmark Fellowship for community college instructors to explore Brooklyn—it’s history, architecture, geography, climate, environment, food, literature, and culture. I met wonderful people and learned so much.

Here I was again, crossing Brooklyn Bridge, thinking of the fellowship folks, thinking about my dad, thinking about Whitman. Then I started thinking about how much I was sweating—no shock there—and how some people make dumb decisions like standing on the edge of girder to get a good photo.

After heading back to the hotel and grabbing my mom, we went off to find food. The Oculus was right across the street, so in we went. Then the elevators weren’t working, so she shimmied up and down steps like a pro while I hovered around taking up too much space so that no one could bowl her over. Hangry in the Oculus is not a way to be in the Oculus—we couldn’t find any food (by the way, they list Sugarfina as a place to eat—how about no). We got out of the Oculus with her shimmying up and down steps again (how can elevators be out of service in a place that is all levels?) and found a nice deli that had good food and no stairs.

Fulfilled, we walked to the 9/11 Museum grounds to see a tree that was now roped off and a glade that was also now roped off. At least we could see it from a distance. Then it was time to rest up for our upcoming art adventure.

Then next day was all about Van Gogh. We checked out with the unhappy hotel person at the main desk and asked the very nice bellhop to hold our bags for us. Then we headed down to Vesey, which is right on the water, which is windy. Once again, the morning was overcast, and I’d packed only shorts and a tank top. There I was downtown with the wind whipping around as we waited for my brother to arrive. When he did, he pointed at an inclined park that was a few feet across from where we were standing and told us it was the Irish hunger memorial something or other. This is something only he would know.

Without our asking, the guy at the door said he was going to call an elevator for us. This is good service (Oculus, take note). We walked around the building, got escorted to and up the elevator, and then through half the exhibit to the beginning. We were checked in and we stood there, staring at a wall of flowers and Van Gogh’s very large head. We’d made it!

The first part exhibited a timeline of his life. A short film played. Music played. Some of the artwork was created floor to ceiling—like a large 3D vase that had images of his different flower paintings morphing across it through projection. Some of the artwork was deconstructed in 3D and set up to show layers. All of this is difficult to describe and very worth seeing in person.

We then walked around to find the room of wall to wall, floor to ceiling animations. The minute I walked in was the minute projections of candles whipped across the floor, making my vertigo say hello. Meanwhile, my mom was caning her way across the carpet. We both stopped and started laughing because neither one of us was about to fall in public. The security guard pointed me to some chairs for my mom. I thanked him. She found a bench because the chairs were too low. He came back over, concerned that the bench wasn’t comfy. This is good service (hotel staff, take note). I found a chair. Then my brother wandered in, having already seen some of it. He was like, I was in the other room. I was like, what room. He was like, the drawing room. I was like, Say what now? He was like, the room you draw in. I was like, I don’t know what you’re talking about. He was like, there’s a whole other room where you color. I was like, I’m totally coloring after I watch this.

I’m not sure how long the animation is from beginning to end. It’s mesmerizing. We watched the whole thing, and I know this because it actually ends with the candles that made me dizzy from when we walked in. We waited for the candles to stop before getting together again and following my brother into this other room.

We could color in a completed outline of a painting, color in and finish a partial painting, or create our own picture on a blank page. We each chose a partial or color-in painting. We sat. We colored. We finished and my brother proclaimed, Mine is the best. He was not joking.

Then we took it over to be projected onto the wall where it showed up as framed artwork in a gallery. Then we got sticky stuff and pasted them to a different wall. And now we’re famous artists with work hanging in NYC.

PS I compared experiences with one of my yoga clients. They were drastically different. That’s because there are two different Van Gogh exhibits.

When we came out of the exhibit, I saw more public art!

AND while walking across the bridge, I FOUND MY VALET TICKET!!!

Art Ownership and a Zoltar Encounter (and Warhol)

Because the art expo was during the day, BG figured I’d be up for it because it was well before my bedtime. Because it was at a brewery, I was iffy at first because I don’t drink and I don’t eat—I live on air—and I don’t like going to things where I’m not going to support the business. Then I realized, I could buy him a beer, so I was like, We’re doing this. Because MD has been trying to get us together to go to an outdoor summer concert and because there would be live music at the art show, I told her about it, and then we, all three, were finally in the same place at the same time in the blazing sun with creative minds all around us.

When I go to fairs, I want one of everything. My strategy, then, is to visit every table and then circle back. It works because I get to then figure out if I really, truly want something, and also I don’t need to carry it around with me. If it’s gone by the time I go back, then it’s not meant to be. Because I recently paid a pretty penny to have my kitchen wall light switch repaired for the third time in two years and bought two air conditioners and paid to have them installed and had my gutters fixed and cleaned, I can never move from this house. Therefore, I’m finally looking to decorate my living room wall. It’s a big empty space. Art can go on it.

I didn’t buy anything to go on the wall. Instead, I bought magnet art and a sticker. Baby steps.

Artwork credits: Deena Hadhoud, Emily Rubenstein, Ahlicks, and JGA Creations

The bathroom was inside rather than a port-a-potty. Bless you, Great South Bay Brewery. Y’all know how I rely on bathrooms, so in MD and I went as BG stayed at a table taking a survey about his life so he could buy a custom-made notebook. As soon as we got in the door, MD was like, Omigosh it’s that thing from that movie! Helpful. I was like, what? where? Off to the side beyond the bar was a Zoltar machine. I’ve seen them in real life before and had my fortune read by one with a few broken fingers. MD had never seen one up close, and so I was like, You’ve gotta do it, handing over a dollar to her as my gift of fortune. Zoltar is pretty loud as he moves his head and hands. This one has no broken fingers but even after the fortune card spat out, his hand kept moving, and it got a little creepy. The fortune was fun, and she got some lucky numbers out of the deal for the next PowerBall.

Before leaving, BG and I made one more lap and then asked the band for their name. They played covers from a variety of decades, and at one point, they were singing a song by Four Non Blondes and I literally thought the lead from the band was singing and had to look up to see if it was her. It was not. It was The Drinkwater Brothers. BG was like, what if they were the Drinkbeer Brothers, ’cause we’re at a Brewery.

Another jaunt into the art world came in the form of another Sibling Adventure! When we last adventured, we cleaned up some garbage. This time, we planned for indoor activities. My brother’s school year finally finished, so I booked us tickets to the Nassau County Museum of Art. Because I’m now a full professor, I’m making more academic choices, which means I bought myself a membership to the museum that came with a membership to NARM, a reciprocal museum thingie that allows me to get into a bunch of other museums, too. So I didn’t actually buy art here. I bought the museum! This paragraph needs more hypertext, no?

The first part of the adventure was all about the unbearable New York traffic. My brother, who never runs late, was running a little late. I knew he thought he’d get to the museum from his house in twenty minutes. I also knew he didn’t realize traffic. I waited a bit and then went into the museum. The guy at the front said I could check in for both of us and he’d let my brother in later. My brother arrived after a 45 minute drive, all apologetic, and I was like, You were cursing in your car, weren’t you? He was like, No matter where I went, for no reason, no construction, I just couldn’t go anywhere. Yup, that seems about right.

Sidenote: Apparently, the traffic is due to not only those who usually take public transportation now driving cars but also more delivery trucks for more people shopping at home. Hey, everyone? Go back to doing things the way you did them please and thanks.

Before he got there, I got a bit taken aback by the number of people in the building. I didn’t feel unsafe—I’m not talking pandemic—I’m talking how usually I’m one of three people there. Instead, there was what seemed to be a field trip of teens roaming about. Also, there was a video shoot happening in one of the galleries. The guy at the desk was like, Gallery 1 is closed at the moment. Then another guy came over and was like, No, it’s not. So the first guy was like, Okay I lied, everything is open. Ha! The doors had been closed, but the people filming said patrons could come in while they were on break. There was equipment everywhere, so taking in the artwork from La Belle Epoque while navigating state-of-the-art video tech was quite the juxtaposition. Toulouse-Lautrec probably would have enjoyed it.

My brother found me outside Gallery 1 as I read about the art movement, and he was like, I want to see the Warhol.

Warhol again? you may ask. The answer is always, Yes, of course, Warhol again.

Up the winding stairs we went. Some of the artwork we’d seen in person before—the animals and some of the flowers. Some of the artwork was new to us: Mt. Vesuvius, portraits of characters using diamond dust, portraits of Jewish people, drawings of flowers, album covers.

Here’s a quote that sums up Warhol’s main pop aesthetic that made the two of us go, yeah wow:

Business art is the step that comes after Art . . . I wanted to be an Art Businessman or a Business Artist. Being good in business is the most fascinating kind of art.

Andy Warhol

Then? Soup cans. Whoa.

In the midst of this Warhol extravaganza, a fire alarm sounded. It was one of those deafening, piercing alarms. We poked out of the small gallery we were in. A semi-frantic man was quickly walking through the hall. I gestured into the air and asked, This means we leave, right? He was like, yes, please exit now! Down the stairs we went and outside into the 100 degree weather. I entertained my brother with how I handle fire alarms on campus: I walk away from the building, and my students ask if they should follow me, and I ask, Do you want to be close to the building if it explodes?

After about ten minutes, the alarm had stopped and no authorities arrived, so back into the building we went, up the stairs, back to the Warhol. Then back down the stairs to finish off La Belle Epoque. We went to the back gallery and found a lot of Tiffany lamps. Fact: I didn’t know Tiffany lamps were named after a guy with the last name Tiffany. On the wall in the hallway hung a very detailed timeline. In very un-history-teacher-like-fashion, my brother did not read every single word of it. That proves that it really was a lot to take in. We did some scattershot observing, pointing out things we recognized. At the end of it all, he was like, Basically, a lot of stuff happened in a really short period of time. History lesson done.

At this point, Gallery 1’s doors were closed. I asked at the desk if it would reopen soon, and the guy was like, It should be open. I was like, The doors are closed. He went to see if either set of doors would be open, and they weren’t, and he was like, Sorry they haven’t told me anything different. I was like, I totally get it—there was a lot going on still. The gift shop was open, though, so back up the stairs we went. Because I bought a membership, I got a free poster. I really thought about what I wanted on my wall and also what meant something to me. I got the poster from Fool The Eye. It was between that and Energy: The Power of Art! The former won out because it may look better on my wall. Also, it may not go on the living room wall at all. I may move things around now that I’m staying in the house forever. The women at the register had a dandy of a time trying to ring it up until finally they were just like, Thank you very much for your support in being a member and we will figure this out later. Heh heh, they’re wonderful people at the museum. Also, “dandy of a time” is my new fun phrase.

Because our time schedule was off, we hadn’t eaten lunch and were starving. We found some shade and ate. Then I was like, We can drive up the hill or walk. My brother chose to walk, so in the 100 degree heat, we made our way up the road to the Manes Center for Pop Art.

The number one reason to see this exhibit together was to be able to say, Good God, it’s a Lichtenstein! in the same room at the same time. We checked out the Robert Indiana and Katz work along one wall.

Then there at the end, Good God, it was a Lichtenstein! Everything else paled in comparison.

Good God, it’s a Lichtenstein!

On the final two walls were Rivers and Rauschenburg, both very interesting. Over the final piece, a light was flickering, which caused the piece to look different every moment. This seemed to be accidental, but also, it was like performance art. Like we were part of the art. That’s what I’d like to believe.

Right Trains Go To Much Needed Places

Remember Leap Day 2020? I do. It was the day of my most glorious date with myself, trouncing from gallery to gallery, across the highline, getting lost, and then finding myself at The Rubin to measure my existence. It was the last time I was in the city. A pandemic floated in, much in that freaky way the yellow smoke licks at buildings in that T. S. Eliot poem.

With a lot of trepidation and a lot of hope and excitement, I ventured out onto a train and into a city and found myself again at The Rubin, this time with my yoga gal pal, and it was glorious!

I’m pretty good with trains and subways. When the gals used to go to Shecky’s, I’d be the one they followed to get from Penn to the Puck building and back again. (However, D was better with streets—she taught me 1, 2, 3, Little Pigs Make 5 meaning 1st, 2nd, 3rd, Lex, Park, Madison, 5th, , which works only when you remember it and not when you’re standing on a street corner shouting, Pigs! There are pigs! They go to the market!).

Anyway, trains. I was nervous, standing on the platform with my mask on and a magazine in my face. Trains pulled in and out. Then when it was time for my train to arrive, a train pulled in, and I got on. Phew! I got on! It was super clean. I sat. It was super empty. I waited and then listened to the announcements that had been going on since I stepped on the train. Clearly, this announcement was just for me because it sounded exasperated as it explained this was the last stop and the train was headed to the yard. I got off the train.

Then the real train arrived. I got on the train. I used my phone with my electronic ticket app thing. My ten trip I’d bought pre-pandemic had expired and the “good” folks at the MTA did not let me extend it even though they said only essential workers should be using the trains at the beginning of quarantine, which was when my trips were to expire. So I was following rules, and they were being jerks. I bought a new ticket for this one round trip, not knowing if I’d be able to use another ten trip, not knowing if this trip to the city would be a success.

After the train pulled into Penn and I made my way to the sidewalk, I realized I’d done so without touching anything. You can get a whole lot accomplished without touching things with your hands! The first think I touched was the door to the Rubin, and that’s where I found B waiting for me. We were a bit early, but since the museum was empty, they let us in.
First up—origami! I’d followed their instructional video to make an origami lotus and sent it in. On the first floor, there’s a large basin of lotuses, many very advanced and crafty. Hanging from the top floor ceiling all the way down to the lobby are more lotuses. Brilliant!

Then we went all the way to the top to spiral our way down. We followed the arrows on the floor. We saw some exhibits and some remnants of exhibits that had been there but were interactive and so are no longer allowed. Like, the writing desk with all the envelopes was now roped off (last time, I wrote a letter). Like, the photograph of the pile of candy that had looked like a shiny rug (last time, I took a piece of candy). Still, we were in a museum! We were in the city!

The shrine room is still open. They limit it two at a time, which again, was not a big issue because it was pretty empty. We meditated a bit and then headed out to see more of the art. We talked crystals. We talked mudras. We talked how to make the intricate metal statues. We talked awe. We talked yoga. We went to the museum store and talked all things intriguing and interesting.

Then we were done with the museum and up for lunch. We walked to Chelsea Market. The streets are not crowded. This is how S had described it when she was talking me off the anxiety ledge. There are people out. There are no tourists. That makes a major difference.

Side note: When my brother and I completed our Walk To End Alz, we were walking behind some guy in Massapequa Preserve when I was explaining how I had a plan to go into the city. The guy turned around and warned me to be super careful because just last week, a man in midtown was wielding a machete. Oh, ok, thank you giant man who looks susupiciously like a man who would stand in Times Square and wield a machete. My brother told me not to worry about machetes. I figured that I couldn’t let it hold me back since that could basically happen any time in NYC, not just during the pandemic. Remember the slashings of 2016? Yeah, that was terrible. Also terrible: urban machete attacks.

We got to Chelsea Market without encountering pointy objects. We ate Thai. We ordered ice teas that the server warned several times about their being sweet. Omigosh, sweet is an understatement! I got an ice tea with lychee, and it was heaven on a sugar high. The food was delicious. The only drawback was the occasional large truck that rushed by the barrier inches away from where we were sitting, but that also reminded me of yoga in Times Square, lying on the ground with traffic a few feet away (that’s how B and I met, btw, so it all was very serendipitous).

After lunch, we grabbed coffee at a cute shop and walked in circles for a few blocks here and there, finally circling in on the garage where she’d parked. Then I walked back to Penn, again with no pointy objects in sight, and boarded the correct train the first time. I panicked when the doors closed because I couldn’t access my ticket, but then I realized that I had to sign into the app to actually get my ticket to work. Usually, I’m good with technology, but under the circumstances, my lapse is understandable.

Then I got home. I washed my hands for the hundredth time. I changed my clothes. I sighed with happiness and relief and such joy and gratitude. I’d felt so nervous and also so wanting, full of anxiety and full of need. Then I did my best to keep myself and the people around me safe, and I experienced life the way it could be again. That gives me great hope.

Microblogging Part 4

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We did it! Summer Wish Lists complete! Let’s take a moment to remember how this all started: I felt like something was off. I made a wishlist. My heart got torn apart. My grief came flooding back. The summer I had thought would be filled with romance and charm now seemed to be headed for weeks on end of sadness. And I was sad. Grief stricken and in so much pain. And at the same time, life was brilliant. I have friends that simply wouldn’t let me say no to coffee. I have friends who listened to me wail. I have friends that walked with me, ate ices with me, and sent me laughs and giggles. Then I went on a mission to do all the things. It was out of spite. It was fueled by rage and bitterness. Then. Now. Here I am. I had a summer filled with love. It wasn’t the romantic love I thought I’d be headed for. It was the kind of love that makes me so grateful to be alive, the kind that makes me feel safe, and the kind that’s unconditional. Yeah, I’m still ticked off and I’ve still got grief. I’ve also got new memories, a thriving wellness side gig, and the best family anyone could ever imagine. Everyone is going through something at any moment in time. Now more than ever we can see that the world doesn’t owe us anything. That means we can choose to pick each other up, create more kindness, and always be grateful for a moment of peace. Thanks for taking time to let me rant and rave and boast and blossom these past few weeks. This is proof that even my worst days are good days and that really every day is a good good day. #gettingthroughit #grief #grateful #gratitude #alwayslookup #summerwishlist #friendshipismyfavoriteship #longislandwriter #creativenonfiction #essayist #lifecoach #lifecoaching #lifecoachingtips #reikipractitioner #yogalife #Buddhistlife #wellnesscoach

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Storm King For The Win

Y’all, I completed my Summer Wish List! I am so grateful to all my friends and the fam who helped make it happen!

The final item was visit Storm King. Originally, I had two reasons. The first was to make new memories because the last time I was there, the wasband was also there. We had a great time, for sure, but new memories would be nice, too. The second was because a guy I was recently seeing suggested that we go there, and then he suggested we not date anymore, so I went with both suggestions, changing the first to singular: I go there, not we.

Then the reason changed. I really like public art, and I hadn’t seen SD and BS in a while, and with the semester closing in, this would be a really nice way to catch up before the nonsense begins.

Tickets kept selling out. Finally snagged some for a week out, and we hoped for no rain. The day came, and not only was there no rain, but the weather lady called it a gem of a day. It truly was. Perfect outdoor art weather.

I left my house a bit on the early side to make sure I got there on time, so I was able to stop along the way when I passed by two places.

The first is a bookstore pit stop for NYS. It was closed, but I bumped into an old friend.

Walt Whitman is everywhere, yo.

The second was Fort Montgomery, where I was a few years back for a Sibling Adventure day. I pulled over because I couldn’t not gawk at how pretty Bear Mountain Bridge was. Seriously, a gem of a day.

I did get to Storm King a bit early. They let me into the parking lot. They scan tickets through the window, so when the woman pointed in a direction for me to go, I wasn’t sure what she meant, so we wound up miming and pointing a few more times. Really, there was only one way to go, but my directionally challenged brain wouldn’t allow it to be easy.

We all met up after parking, put our masks on, and off we went to see the art. It was large art. There were pieces that puzzled us. There were sections where we asked, Is that art? Later on, in the vending machines, we found a book called Is It Art? So I suppose we aren’t the only ones who ask that.

The grounds are sprawling. We ventured up and down hills. We checked maps and couldn’t figure out where exactly to go. We became very focused on finding the North Woods. We did go into them a bit but not on purpose. Every place we went was pretty much accidental.

While I couldn’t find the man coming out of the ground that I saw the other time I was there, we did see a plethora of sculptures. We decided some were put together with pulleys, some with glue, and some with magic.

I’m holding it up with magic and invisible pulleys.
Nosy

What a way to end a summer. What a way to complete a wish.

Outdoorsy Part VII: Christina Wears A Poncho! And Goes To A Museum! (Another Sibling Adventure!)

My brother and I got to partake in two sibling adventures this summer! If you’ll recall, the first involved finding a large boulder at the top of a high hill. This time, we drove up to Nyack to take in a lake and some artwork.

It rained. The weather report said the rain was going to stop by the time we got to Rockland Lake. It still rained. Before getting out of the car, I was like, I guess I’m finally going to use this poncho. As my brother enumerated all of his poncho complaints from the days he wore one at the Army Navy games, I unfolded a large piece of thin plastic from its plastic pouch. And kept unfolding. And unfolding. Then I thought I ripped it only to find, no, I had to unfold more. With every unfold, I shouted and laughed with glee. I was gonna wear a poncho! (Later on, my brother commented that he was getting a little worried about how giddy I was. He simply doesn’t understand the joy of life’s little pleasures).

Getting out of the car, I draped myself and my backpack in plastic. The wind kicked up, and the plastic billowed all around me, and I laughed hysterically. I was like Glinda The Good Witch in my own plastic bubble, only instead of a poofy pink dress, I had on my hiking shoes and high socks. My hiking fashion is on point, yo. My brother opted for his orange rain coat. I have a matching one, but it’s too hot for summer attire. He took one look at me and was like, I don’t think I explained this park well. I understood why when we walked to the water. The path was paved and flat, and I was ready for the woods and the beach like on my more recent outdoorsy adventures. It didn’t matter. Hiking is hiking is walking is poncho-ing.

Clouds rolled over the lake. Purple flowers grew from the muck. We saw deer! When we first came upon them, one was on his hind legs, biting into some tree leaves. Then he stopped and stared at us as his deer friend did. We stared at them. They won the staring contest. We kept going and found a garden with a scary scarecrow. Like, scarecrows are supposed to be scary, but this one was jacked up scary. And then I found a flower that was glowing.

We made our way out of the unwoodsy park and towards the Edward Hopper House. I love Hopper’s stuff. I love the empty rooms, squares of light through door frames, lonely women in badly fitting outfits. I used to have a version of Nighthawks hanging in my college dorm room—the version where the people in the poster are James Dean and Marilyn Monroe and such. Why is that a thing? I don’t know what that’s a thing. Is that still a thing? College kids buying posters with James Dean and Marilyn Monroe? Anyway, Hopper. He’s great.

The woman at the Hopper House is also great. She was so welcoming. I think she was simply happy there were people there—it was us and another woman. A bit later, an older couple showed up, and though they hadn’t gotten tickets in advance, they were allowed in. We all had our temperature taken. The woman gave us some history of the Hopper family. When we got to a room that plays a film on a loop, she started it over for us and was concerned that we were not sitting to watch. It was a short film. We were fine.

My brother and I like to read almost everything, so we were there the longest. Actually, he reads everything, and I read almost everything. Some things I skim. And when we’re at the Baseball Hall of Fame, he reads everything all day long, and I go get ice cream after making an ass of myself by staring down statues. [Caution: Link contains photos of the past, which I don’t mind but you might].

Anyway, the exhibits were fabulous. A contemporary photographer found locations of Hopper’s painting subjects, and the photos and picture of the paintings were hung side by side. Hopper’s drawings and doodles were on display along with his paints and palette. A lot of the film and some of the drawings were about Hopper’s focus on water. I never think of him as an artist who painted seascapes, but apparently that’s half his career. I always think of the houses and rooms. My mom requested a postcard of a Hopper lighthouse; we found a bookmark instead. There was artwork inspired by Hopper. The second floor recreates his bedroom where the lighthouse light shines in at night and the Hudson is on view. The floors are magnificent.

The rain stopped by the time we were finished with the museum and said goodbye to the nice lady. We took a map of a walking tour of Hopper’s Nyack and went up and down the streets to find places he painted and views that inspired him. Then on the main drag, we went into a new agey shop (my brother was like, You can go in without me, and I was like, Really you’re not going to go in? He went in.) Then we found a bookstore, which meant we had to go into the bookstore. It was the kind of store where you can’t find anything but the guy at the counter would know exactly where it was. It’s also the kind of store that will bury you in books if there’s even a hint of an earth tremor or maybe a vibration from a large truck passing by.

While the museum taught me about Hopper’s history, my brother taught me about ice. That’s right. We had an impromptu chat while walking around the lake about the ice industry. This is what it’s like having a sibling adventure—you learn stuff. He told me he learned it because there’s a sign in the park somewhere that he read. Aha! So he doesn’t just know things. He reads them and retains them and then shares at pertinent moments that seem random. My fun facts usually are a bit more random, like Tesla had a thing for pigeons. And this is why we get along. Facts.

PS All the sepia pictures and some of the better pictures were taken by my brother, whose work can also be found here.

Outdoorsy Part VI: Orienteering

More hiking means more summer wishes came true on a rather lengthy excursion to the end of the North Fork. As a South Shore gal, I know Montauk as The End, so I wonder what everyone on the North Shore calls Orient. It’s also an end. It’s a really far end. Along the way, I saw farms. It’s that kind of far.

Upon arrival at Orient Beach State Park, a lovely woman in the booth gave me and the Captain the rundown of what to expect in the park. She told me to drive really slow because there’s no rush. It’s two miles from the booth to the parking lot, so we could look out the windows to take in the scenery. She showed me a map of how we got there from Riverhead to the point. Then she showed me another map with the park trails. When we looked at the trail map, we saw really it’s only one trail, and the map shows it magnified at several levels. We made our slow drive the two miles to the lot, and we found that the day was already heating up.

We hit the trail where it was marked Start and End. That seems surreal, but it’s not because the trail isn’t a loop. When you walk towards the booth end, you’ve gotta walk back unless you plan to walk home. We took a side nature trail for a moment and read about a guy who was there once in history, and then we went back to the normal trail because I wasn’t wearing high socks and I’d refused to put on bug spray. So onto the paved path we went.

High socks and bug spray were not necessary on the pavement. After walking a bit, we went down onto the beach. Yup, this was pretty much a trip to the end of the earth, and it was heaven. Also, there was red sand. I’ve got a penchant for any sand not sand colored.

Then I tried to make a bird friend again. Why do I stalk the birds? I don’t even like birds all that much. Captain and I even talked about how I know a lot of birders and am not into birds. He considers birds dinosaurs.

We skipped rocks. That’s right, we. I got some skipping to happen. I’m heading for the Olympics soon.

After a bit more walking, Capt. was like, This is the hottest and sweatiest I’ve ever been. I was like, Oooh look at how the sand is so pretty. He was like, Let’s find some shade. I was like, Everything is so pretty! He was like, There’s shade over there, so let’s sit. I was like, Why are you so hot? He was like, It’s boiling out here. We climbed up between some boulders and got into the shadows of some trees. Then I felt sweat literally pouring into my eyes, and I had to use the flap of my backpack to wipe it away. Actually, yes, it was very, very hot. It kind of snuck up on me.

We rested and agreed to keep going at least to the next half mile marker. But first, we broke some rules.

A breeze kicked up as we ventured to find a lighthouse. We saw one, but it didn’t look like the one on the cartoon map. I thought the one we were looking for was on the other side of the beach and the marsh. We headed back, this time taking the paved path and reading the signs along the marsh. Everything felt cooler until we hit the patch where it was maybe 20 degrees hotter. I have no idea how that happened, but for a stretch, we were drenched again. I made a plan: get to the car and blast the A/C for at least five minutes while downing lots of water. I’d brought my insulated cooler bag packed with water and coconut water that I’m drinking because I have dehydration issues lately and I don’t like drinking it but I am because I have to.

Next, we walked the beach. Captain spotted a kayak at the lifeguard station and offered to grab it so I could sit in it. I declined, pointing out that it was daylight, there were lifeguards around, and they probably wouldn’t want us to do that.

Why the kayak? I cannot quite explain this. For the past year, almost every new person I’ve encountered has talked to me about kayaks. This prompted me to remember a found poem I wrote called “Survey” that lists all the weird questions I get when I take surveys to get free stuff. One of the questions for quite some time was “Do you own a kayak?” (The poem got published in an anthology put out by one of my favorite journals, and now that journal has closed indefinitely because the editor decided to be a terrible human towards a writer and then shuttered everything. Sigh.) The surveys also asked, “Do you own a crab pot?” What the hell is a crab pot?

Anyway, the kayak thing. I decided one of my summer wishes was to sit in a kayak on land. When I shared this on Instagram, I got a slew of replies about how to possibly make this wish come true. This bolsters my point: I know kayak people. The universe is telling me something.

I can’t swim. If you are saying to yourself right now, Everyone can swim, stop that thought immediately. I get told this often. I know how to swim. I can do the doggie paddle across half a six foot pool. I do not float. Accept this, and let it go.

Therefore, I’ve never understood kayaks. I refer to them as Little Boats of Death. They are cousin to the Canoe, The Boat of Death for Two.

I learned some things walking at the beach at Orient. First, we found ourselves at another body of water. When you’re out on the end of the fork, there’s water everywhere, and we found what seemed to be half-beach-half-marsh. People were paddle boarding and kayaking. We skipped some rocks. That’s right. We. Olympics here we come. I learned that skipping rocks does not make people fall off of their paddle boards.

I also learned that some kayaks are open. I didn’t know this. I thought you were basically in the boat as part of the boat. Thirdly, some kayaks fit two people. My mind kept exploding.

Then we saw them. Kayaks on the shore. Captain sat in one. He was like, It’s a good fit. He got out. I got in. And there ya go. Wish granted.

After kayaking on land, we went around through another path and found the parking lot again. We looped back onto the beach for a final shot at rock skipping and ocean watching. Then we were done with the park, which had been filled to capacity. We never found the bug lighthouse. On the way out, I pointed out a replica of the lighthouse we did see. Turns out it was the Orient Lighthouse, which seems appropriate.

On the way back West, we stopped at The Candy Man. We got candy.

Then we stopped at the Lighthouse Museum. It was closed. We found a set of steps down to another beach. So we took them. I lost count of the steps when I saw seashells in the trees. After a few minutes of beachiness, we headed back up. I took breaks every landing because I knew if I didn’t, I’d keel over at the top. I know this because once I decided to take the stairs instead of the escalator at that subway stop where the E and the F meet and it’s vertical and maybe the equivalent to climbing a mountain, so I took my time.

We tried finding some art galleries on the way back. Whatever we found was closed. I found a library for a bathroom break, and the librarian was like, We have an art gallery upstairs. I love serendipity. And apparently my new thing is taking pictures of signs in bathrooms. You should know that I sanitize my phone a lot. Like a lot a lot.

And I love Long Island. I love that I can drive out to the ends of the earth and make my way back all in one day. I love that I can see different kinds of water and beaches. I love that I can pass by real farms and vineyards. I love that roadside stands have hand-painted signs to sell corn and honey and pie. And you can bet I’ll be heading back to have some corn and honey and pie. And there’s a whole community of kayakers that I still don’t quite understand, but I have somehow become adjacent to, and it’ll be fun figuring out why. Whatever the universe has in store for me, I’m ready for.