Poet In Residence at Cedarmere Week 2

I wrote 30 poems, including a PowerPoint video poem and a few erasures.

I strolled up and down rolling hills, through gardens, around a pond, near trees, and harborside.

I sat in silence in a library alcove, in a great room in front of a fireplace, and on a porch.

I offered impromptu tidbits of historical facts.

I guided a poetry writing workshop about what history holds.

I am grateful for the Friends of Cedarmere, for this inspiring opportunity, and for the preservation of this historical place that urges us towards a better future.

Day Two
Day Five: I chased butterflies. If I were them, I would have been annoyed at me.
Day Seven
Day Nine: Tiny poet ponders in front of large fireplace
Day Ten

Poet In Residence at Cedarmere Week 1

How grateful am I for the opportunity to spend my days at Cedarmere, to come and go as I please, to take in the gardens and the harbor, to write and practice yoga, to chat with passersby, to sit in silence in William Cullen Bryant’s Library, to feel the history of a place, and to be in the immediate moments of now. I kinda wanna live there forever. While that’s not an option (right now!), I’m fortunate to have another week on the way. Here are some microblogs of what’s unfolded leading up to and then throughout my first week as the Friends of Cedarmere’s first Poet In Residence.

Microblog Dump

A lot of posting on the Insta…from readings to more readings to deep thoughts to happy news and of course gratitude.

Unauthorized Recap of Unauthorized Banksy

The one story that sticks out to me about Banksy was the auction-house piece that shredded itself. That’s fun. I can appreciate graffiti; I’ve been on several do-it-yourself-graffiti-walking-tours in both the U. S. and Canada (I love Canada!). Interestingly, an indoor exhibit can take graffiti from the outside and hang it in a way that it glows from within. It was pretty neat.

You get one guess as to what happened when B and I first got to the exhibit. Like, aside from here’s my ID and vax card. If you guessed that I had to find a bathroom, you are correct. Bathrooms—not just for hiking. This meant careening through two floors of the exhibit, trying not to look at anything so that I would later be surprised by what I saw when I came through the second time to actually see it.

Back to the beginning! There was art. There were very long explanations in teeny tiny writing that we took pictures of to later read. Those pictures are still lingering on my to-read list. In addition to reading, there was watching. Like the Van Gogh exhibit, there was a room of animation. This room was small (a little too small to see what was going on the whole time) and it came with warnings about flashing lights. It was pretty cool, though, because it was as if we were in a subway car and got to travel throughout the world and fast forward through time. The rooms afterwards each had a theme and many included art with a quirky slant. My favorite collection is all about Disney called Dismaland. As a former cast member, I thoroughly approve of every single idea that comes across in Dismaland. Y’all don’t know the half of it.

Phone booths are fun.

Also, a lot of the work tugs at humanity’s collective conscience. War is bad. How people treat other people is bad. People are awful. And also, there’s hope. That’s the gist of the messages. On top of that, there was a small section about CCTV. We turned a corner and, oh, hello, we were on screen. I wish I could say this is the first time I was caught off-guard in an exhibit by realizing we’re being watched and recorded all the time, but it was not. (Let’s remember the Whitney).

After the exhibit, B and I walked aimlessly, winding up really far downtown. She suggested heading to Washington Square Park. That park was alive! Every fourth table was selling some sort of marijuana. In between were artists and musicians. There was a poet offering to write a poem or sell you a penis-shaped candle. (This could be my new endeavor depending on how lucrative this kind of waxing poetic is, and someone should really revoke my writing privileges after that pun).

Then out on the sidewalks, more graffiti, the uplifting kind. I love this city.

Here We Van Gogh Again

Upon finding out that there are two Van Gogh exhibits, I was like, Yep, I can go to the other one to compare. Upon finding out that the Van Gogh exhibit at the pier offers yoga classes, I was like, Hey BR, we’re going, and she was like, Yes, of course we are.

And so, a 6:15 AM train got me to Penn at 6:47 AM, which got me a taxi that arrived at Pier 36 a bit after 7 AM. My yoga friend was already there, and the night security guard had let her in to hang out at the front. He was super nice, explaining he gets excited when he sees people, and also we saw how the large portrait of Van Gogh could be stunning but also creepy if it were the only eyes on you in the wee hours in the dark.

Because we got there so early, we were first in line and first let into the rooms. We walked through the first two rooms and got into the bigger room where the animations of Van Gogh’s art goes across the floor as well as on all the walls. We set up, sat down, and basically stared. We were inside a painting.

The instructor, Dasha from Sputnik Yoga, started talking about what her yoga studio offers and how she teamed up with Lifeway for this sponsorship. Right away, we looooooved her—her energy was perfect. As people started piling in and lining up (we were all masked and the room was large), she found that a lot were new to yoga completely. She asked if any instructors in the room would demo. I didn’t even think. My hand was up. Well, look at that. She came over and I was like, I don’t do inversions. She laughed and was like, You don’t need to worry about that.

Then the magic unfolded. The music started up. The animations ran around the room. We moved through a yoga sequence in rhythm with both. Magic. Magic. Magic. I demoed each pose without knowing what was coming next, so it was a little clumsy at times, but also, sometimes it was clear where we were going though not at all static or dull. All those years of practice have paid off! When we got to balance, it was a little shaky because the walls were basically moving, but no one fell, so that’s a plus for everyone in the room. The most advanced pose was a half moon, which I rarely do, so it was an adventure. Savasana was the best savasana because, again, magical.

When we were done, B and I got to see all the photos from the session as the instructor airdropped them to me. Whoa. Basically, you’ve gotta do it for yourself because I can’t explain the energy. I could live on that energy. The exhibit played the entire animation again, and we all had free reign to go through all three rooms to watch from wherever we wished and to do more yoga if we wanted. We then headed into the absinthe lounge and had hot beverages, where I told B that was all I ever want to do—yoga and romping around the city. We romped around the gift shop for a while, and we found a tree that had a way for you to write a letter to Vincent and have him write you back (again, hard to explain, so do it for yourself).

Speaking of romping, she was like, do you want to go to the Met? I was like, yes, let’s do it. We headed outside where I acted like I’d never seen a bridge before because the view was simply striking. We grabbed a cab outside and headed all the way up. We found a place for food because I almost keeled over from malnutrition and ate beside the fountains outside. Then we had to reserve a time to go inside to then get tickets. We got tickets inside because we were paying by donation, and then we went off without a map. Careening around the museum without a map and without a plan was fun and a workout.

The only plan I had was to see the rooftop and to find a bathroom. We found the bathroom first, and then we got sidetracked by every pretty thing we could find. At one point B was like, This is kind of like going to Epcot. So true! We were in Greece and Rome and Egypt and other places across history and the globe.

Mostly I enjoyed the modern floor, especially the abstract stuff (that’s a technical art term) and the photography exhibit with a focus on women. The rooftop offers artwork as well as the best views from above. We took it all in, thankful for a semi-overcast day that allowed for gorgeous sunshine without that extreme sticky heat. As we headed out of the museum, I was like, You know, I didn’t take a picture of a statue butt (which is something I always do at museums because I’m 12). B was like, well there’s one right over there. I appreciated the support.

For days that start with art and yoga and end with art and sky and all throughout offer fun friend times, I am always grateful.

Outdoorsy Part I: Sunken Meadow

I’ve got a summer wish list that I’ve been checking things off of like a woman on a mission who must get all these things done before the bus explodes. You know, like Sandra Bullock in Speed but without Keanu Reeves and without a bus. The reason I’ve been mission-izing my wish list dawned on me in a moment of clarity while microblogging: I’m trying to prove that I can have a fun time on my own without the help of anyone else, thank you very much, so you [most recent guy who broke my heart] can suck it hard. This moment of clarity allowed me to discover the following:

  1. No one ever said I couldn’t have a fun time on my own or with someone. No one ever accused me of not being fun.
  2. I’m having a fun time, so trying to create vengeance through fun seems nonsensical, and takes some of the fun out of the fun.
  3. No one needs to suck anything, hard, soft, or otherwise.

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Most items on my wish list involve nature. I’ve never considered myself a nature girl. Here I am in the summer of quarantine, visiting every state park I can with a handy Empire Pass in my back pocket. Something about lockdown brings out the need for nature. Also, Long Island is beautiful, and I want to explore it, especially since travel is out of the question right now.

One of my friends used to work at Sunken Meadow State Park, and all during quarantine he’s been regaling me with these neat vignettes about his antics. What better guide to have? We met up in the parking lot with him driving around to get me and bring me to where I needed to go to start, which I told him was 85% going to happen (the %15 percent that I would wind up in the right place when there are lots of lots to choose from was generous). Then off we went, onto a trail and over a bridge and I stopped short.

It. Was. Gorgeous. The sky was overcast, and the clouds were moving grey, and the water was running right under us, and there were birds, and the mountain shone so evergreen (okay, it’s not a mountain. It’s a big hill. But maybe a mountain. I don’t know. I’m new to nature, remember).

We went up a path, found a picnic area, and went up another path, and then another kind of steep path. At the top of that one, he stopped and was like, Yeah, that hill deserves a break. Lungs pounding, I stopped too and was like, Thank you for saying that because I thought I was out of shape for a moment. He told me on the other side of the fence nearby was a hill called Cardiac Hill. So what did we just climb? I couldn’t figure out how it could be much different since the fence was simply separating us from the same mountain/hill/land-incline.

Then suddenly, I was walking on a ledge and then through a forest and we were in the woods, y’all. And then through the woods, up and down and on steep and narrow winding paths, I reminded him, If you encounter a really large gap, we’ll have to double back. Because, you know, I’m short, and I wasn’t about to leap over a gap when the landing was wide enough for only one of my tiny feet. Luckily, no leaping was needed, and we came to the bluffs, and we were at the beach.

So to recap: we were on a mountain => we were in a forest => we were at the beach.

How does this even happen? Whoever complains about Long Island needs to be dragged up Cardiac Hill and rolled down a beach bluff.

We got down to the beach, and he gave me options: walk back through the woods or walk on the beach. The beach! The beach! The North Shore beaches are rocky and narrow, and since I’m a South Shore gal, I don’t get enough of these other kinds of beaches.

Apparently, when you’re from the North Shore, you skip rocks. When you’re from the South Shore, you do something you call skipping rocks, but all you really do is throw a rock into the water and watch it sink. We tried this several times, my friend showing me form and flicking and finding of the good rocks, and me side-winding and twisting and tossing a rock into the water with very little hopping and a whole lot of going under without much fanfare.

Also along the beach were fishermen. Which meant I walked by a full fish dead on the sand. Also dead was a large crab thingamajig with a long pointy tale, drifting in the shoreline as if it were once alive and decided to be dead to freak me out.

See? I’m so one with nature, now.

Actually, I am somewhat proud of myself. When we finished that path, my friend was like, but wait there’s more! We went down into another part of the park where all these little hermit crabs crawled around, in and out of holes. Crabs walk sideways, y’all! Like, I know this, but like, now I really know it.

At that point, thunder rolled and a bit of a spritz started. He was like, Are you good with rain? I was like, rain doesn’t make me melt, so I’m fine except if there’s lightning. He was like, Yeah, if you see the hair on the top of my head start to rise up…, and I jumped in, Yeah, I’ll take cover, for sure. He stopped and was like, Or maybe you can tell me first as a warning. I make a great friend sometimes.

No lightning. No hair on end. No taking cover. Well, that’s not completely true. We went semi-covered in a semi-covert operation to get a picture of a bird that I decided I wanted to stalk. We’d been talking about a recent new story about a woman who got too close to a moose and was pretty much jacked up by the moose when she got too close. I think everything about that story is right. Leave the animals alone. Follow the rules. If you break the rules and annoy the animals, you get what you get and you don’t get upset. Okay, maybe you get upset, but you deserve it. A little over an hour later, here I am in marshy territory, sneaking all up in this bird’s business because I decide I want to be friendly with the animals instead of being grossed out by them (in my defense, both animals I encountered on the beach were dead, and that’s freaky). The bird kept flying away from me, and then I decided to maybe leave it alone before it went all Hitchcock on me.

We came up on the boardwalk. We walked over two more bridges. We finished a whole lot of the park, which meant we’d finished a whole segment of the Greenbelt. The Greenbelt trailis 32 miles running north and south. In my days at Heckscher, I completed some of it. Now here I was at the other end, another segment complete. Is it possible to complete in one day? My Great Saunter experiences point to a big fat No for me.

Sunken Meadow July 7 (2)

With sand in my shoes, wind in my hair, sweat on my skin, and a hum of sky in my ears, we finished the hike, regrouped in our cars, and called it a day.  A great day, for sure.

An Anniversary Of Me

One year ago today, I came back to life. I’d had my first cofeature back in March for B J Spoke Gallery where I reconnected with people I hadn’t seen and had known for over a decade. I became good friends with the co-feature, whose poetry was brilliant.
A few months later, I was walking with Whitman. The open mic was fun. My reading made me feel energized. For the first time in a long time, I felt completely at ease, totally in control, and simply happy. I met people from far and wide; several still keep in touch. The band 1 Step Ahead played, starting with a few bars of Brown Eyed Girl since I’d referenced it in a poem.
Then a few months later, I was named 2020 Long Island Poet of the Year for Walt Whitman Birthplace Association.
I am forever grateful for this day, this reading, and all the people in my life who have gotten me through and continue to.
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Measure of Existence (Apparently, A Tribute)

Two or three weeks ago, I planned to do two things and wound up doing four. Happy to take myself into the city to see art and exhibits and make myself think.

For the past week, I’ve had a stress headache because COVID 19 has taken over the world. It has shut down the city and the suburbs.

So here’s a way to get out of your head if not out of the house. I’m going to remember my experience in a way that might let you live it for yourself. (My creative writers and my lit readers would be very excited that I’m practicing what I preach about second person pov). And away we go.

It’s the first time you’re using the MTA app’s eticket for your train ride into the city. You don’t have any idea if you need to leave it open, leave your phone on, if you can use other apps. You brought your charger in case your phone died on the ride but also you charged it until the minute you left the house even though it was already at 100% and you thought somehow it would suck in some energy reserves. You are in a car with the bathroom because nine times out of ten, you manage to sit in the car with bathroom. You activate your ticket only to realize there’s like a quiz to take to make sure you mean to activate your ticket, and really, this is not the kind of decision you thought you’d have to make, so now–as usual–you’re breaking out into the nervous sweats. Then the conductor comes by and barely says anything to you because your little eticket is flashing pretty colors. You let your phone sleep as you read your book that you started a few weeks ago and haven’t gotten back to because all those papers and meetings. You change trains and your eticket continues to work as you continue to read. You stop sweating. Sweet relief.

You take a walk downtown to find the David Zwirner Gallery. You already missed the doppleganger exhibit, so there was no way you were going to miss the Doug Wheeler one. You walk down and across and down and across and finally get to the street where the gallery is, and there are other people trying to find the same gallery because there are a lot of choices of doors. The sun is out and it is windy and the galleries are by the water so you are a little chilly as you try to choose the door that will get you to the exhibit. It’s kind of like Let’s Make A Deal for the art world.

The couple with the stroller ahead of you have chosen the correct door, which means they win! Which means you win because you get to see the artwork, too! The exhibit on view is a light exhibit. It looks like this.

Zwirner Gallery February 2020 (1)

And maybe that looks interesting but also some may ask, Why did you walk all that way on a windy day to see a framed box of light? Then you realize that this photo does the exhibit no justice. Here’s what it looks like again:

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Ahhh, an entire lit up room wall thingie of light! It’s pretty groovy. You walk up to the light to see where it’s coming from. The wall curves under the floor. The light emanates and radiates from all around the wall that seems to be attached but also not attached to anything. You stay for at least twenty minutes, watching people look at the wall.

When you decide you have seen enough of the light wall, you leave the gallery and see a sign for Basquiat. The other side of the sign says Warhol. Go you must. So instead of keeping with the plan to go straight to the museum, you head over to Taglialatella Gallerieson 10th Ave. Your first fun find there is Einstein. He’s got a good message.

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You go inside for the Basquiat, but before you even get to that, you’re floored. They’ve got Keith Haring. They’ve got a bunch of sparkly silkscreens from Russell Young. There are artists with names like Jerkface and Mr. Brainwash. And then you turn the corner and Good God! It’s a Lichtenstein! (That’s for your brother). You do find the Basquiat and the Warhol, and you bask in their artistic genius. (For more about your experiences with Basquiat and Warhol, you can go here ).

Because you’re so close to it, you head up onto the Highline. It’s got free public art! And RuPaul!

You realize that it’s cold up here on the Highline, so you walk quickly. The sun comes out, and you slow down to bask. The sun goes back in, so you pick up the pace. Some young woman runs up behind you, calling out, Hey excuse me! You turn and see she’s holding out a $5 bill. She says, You dropped this. You say, Oh, hey, thanks! She runs off, and you almost skip the rest of the length of the park because there’s still human kindness in this world.

So happy are you that you overshoot your landing and get down off the Highline around 14th when the Rubin is on 19th. Then? You. Get. Lost. You look at street signs, expecting to see numbers and instead you see the word Washington or something. What is this non-numbered sign all about?

You decide to walk away from the water. Two reasons that will help: 1. it’s warmer away from the water. 2. it’ll take you closer to 7th, a cross street. Your spatial ineptness is in full swing, but this decision makes sense a little at least.

A few more turns and double backs, and you finally find The Rubin, your new home away from home. You are so thankful that you’ve found it because you’re super cold now and you have to pee really bad. They have a bathroom! You know that bathroom well because it’s the bathroom you brushed your teeth in when you slept there a few months ago. (Here, “slept” means “had weird half asleep dreams while half asleep writing them down only to find they make no sense and your handwriting looks like the writing you find in a journal kept by a murderer).

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You check in on your old friend, the Bodhisattva.

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Then you venture into the exhibit you’d been itching to see, Measure Your Existence. The main reason you wanted to see it is it has interactive components, and you love to touch things in a museum.

The first piece is a carpet of candy. You get to take a piece of candy. As the pile dwindles, the museum replenishes it. Measure the existence of candy.

You take some candy. You eat a piece of candy. You enjoy the candy. You enjoy the fact that you got to take something from the museum even more than the candy itself.

Then you come upon a wall of letters. Anyone can write a letter to anyone. You can seal the letter and address it. You can seal the letter and not address it. You can leave the letter open for other visitors to read. You read a letter. And then another. A lot of people have a lot of guilt and write a lot of letters apologizing. Some ask for prayers.

Then you see a little booth. You have to take off your shoes to go inside. You can write a letter in there, too, so you do just that. You seal it and address it. The museum will eventually send it.

When you emerge from the letter hut and put on your boots, you notice a woman sitting at the other writing desk, and she’s weeping. You teared up writing your own letter. You assumed a lot of people probably cry when writing. Here is the proof.

Around the corner you watch a snippet of a film about a guy calling different companies and talking to whomever answers as if he’s talking to his mom, and then he realizes his mom is dead. It’s subtitled. It’s a weird concept. You stop watching.

You then watch an animated film and listen to the meditative soundtrack. You’ve got those big headphones on again. You always wear headphones in some capacity when you come here.

Then you decide to shake hands with a bronze hand. You’ve seen it before and have not shaken the hand. Today is the day you shake the hand. It’s not creepy. But actually, yes, it is.

You think about going to see the Impractical Jokers movie but the movie times don’t jive with your train times. You walk back to Penn, taking in more art along the way.

You wind up waiting at Penn for half an hour, which gives you plenty of time to start worrying again about using the MTA app eticket. It also gives you time to read more of your book, and you get halfway through it.

Then about a week later, you get some mail that makes you smile.

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You know that the only true way to measure existence is in gratitude. You thank the universe for everything, every single thing.

Dreaming Under The Bodhisattva

Remember how I’m always finding ways to lie down in New York City? Like when I’ve done yoga in Times Square? Or like when I went to the sound exhibit at the Rubin Museum? I found another way to lie down for an even longer period of time. Again at the Rubin, but this time, at night. It’s a Dreamover, y’all! That means I slept over at the museum. Dreams. Come. True. But like, the goal kind of dream, not the kind of dreamy dreams you have when you sleep. Because if the dreams I had at the Rubin actually came true, we’d have problems. I’m getting ahead of myself.

First, getting to the Rubin from home meant a train and a walk. That meant taking as little as possible with me, which is a good thing. I mean, remember all the bags I took with me for two and a half days at the ashram? I’m moving towards practicing non-attachment for sure, and so I chose to take a large bag to carry my sleeping bag and a pashmina and slippers, and then a backpack for toiletries, a hat, a book, a pen, and a pillow. A friend offered to lend me a camping blow up thingie, but that didn’t pan out, so here I was with as little stuff as possible for a few hours of sleeping.

Side note: This sleeping bag is seeing more action in the past few months than it has in years. Remember Fishkill?

Nothing I carried was heavy, but everything was bulky. At the train station, I had to ride the escalator sideways with my backpack hanging on one arm and the sleeping bag on the other. Walking downtown, that sleeping bag was whacking into people as I glided down seventh. I can imagine what I looked like: a tiny woman carrying a backpack as large as a small child, wielding an overstuffed beach bag, careening across every street. After this whole experience, I kept saying that I didn’t see anything strange this trip into the city, and right now I’m realizing that I was the strange thing that happened.

Anyway, into the museum!

As a crowd formed outside as we waited for the doors to open, a few dog walkers came by, and all the dogs stopped and wanted to go into the museum. Whatever energy was happening was already detectable. Then a few passersby asked what was going on. One woman behind me kept answering with “It’s a dreamover!” which lead to follow-up explanations until someone else simply started answering, “We’re dreaming with the gods and goddesses.” That answer seemed more sufficient for anyone who asked.

Finally, doors opened and in we went, sat at tables, and then got escorted to our artwork that we’d dream under. Everyone fills out a survey beforehand and gets art matched to them. And so I found myself in an alcove on the third floor–a place I’ve always found colder than the rest of the museum, and also the place I’d guessed I’d be–and my artwork was a bodhisattva with hands in a teaching position. Holding my place was a notebook, the agenda for the evening, and a slip of paper that explained why I was there: “We have paired you with a loving bodhisattva who offers you a teaching gesture, to support your deepening practice as a student but also the wisdom you have to give as a newly published author.

Yep, that’s the right piece of artwork for me.

I unrolled my sleeping bag, set up my pillow, put on my slippers, and sat. This was happening. The building carries sound, so I listened for a while and read the itinerary for the evening. There was going to be a lecture on dreams! I didn’t know that! Very cool. Then there would be breakout sessions! I didn’t know that! Very not cool for the socially awkward but here I was sleeping among strangers and only once did I think hey is this safe? and didn’t know the answer and did it anyway, so the breakout session was still on the list of things to do.

And then we’d get a snack!

And then we’d get a bedtime story!!

This was like kindergarten!!!

Once I was settled in, I met my nook-mate, a lovely woman who works in the arts. We chatted about creativity, and then she blew up her double-inflatable mattress while I sat on my cushy sleeping bag. My dream collector–the person who would be waking me up and asking me about my dreams–came over to explain my artwork to me. We talked about how it was perfect for me. She suggested I mimic the teaching mudra to see what the artwork was doing. (This is where I’ll tell you that I usually refer to mudras as Buddhist gang signs, which is probably not funny to Buddhists or the bodhisattva, so I didn’t say that joke there).

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Then I got up, realizing that, Hey, I’m in a museum! I can go museum-ing! And so I did. I walked up to the top floor and spiralled my way down. The only difference is that there were sleeping bags and mattresses and pillows everywhere. It was colossally strange in the most wonderful way possible.

I made my way down to the bottom floor theatre for the conversation between Tibetan Buddhist lama Khenpo Pema and Jungian analyst Patricia Llosa. I did that thing that I usually don’t like people doing–I sat right next to someone when there were clearly lots of empty seats elsewhere. I was kind of tired by this time–it was 9 PM, which is nearing my jammie-time, and also, I was focused on being able to see both people. Short gals gotta have a plan. The guy I sat next to didn’t seem to mind, and we chatted about what we were drawing. The screen on stage had a suggestion to draw our artwork from memory, so that’s what we were both doing. We both realized that we had very different pieces of artwork ,and they were both intricate, and neither of us excels at drawing.

After being welcomed and clapping for people who come back every year, the conversation began. It explored dreams from Eastern and Western perspectives, and it highlighted places where they converged mostly. There was a Q&A. This was an actual Q&A. It wasn’t like when I go to writing conferences and there’s a Q&A where people raise their hands and just talk without a question. There were actual questions!

That led to meditation. It was now almost 10 PM. I closed my eyes, breathed deeply, and then had a head jerk because I’d started to fall asleep. That happened two more times, not in the way it’s been happening during meditation because I’ve been falling deeper into the mind, but because I was sleeping, yo. Still, it was a good meditation session.

Onto the breakout groups! So awkward. So so awkward. Our floor was not a talkative floor, and the leaders were not talkative leaders. However, once there were a few questions like how to remember our dreams and answers about dreams and emotions, it was pretty okay. Then right before we were done, the conversation turned towards lucid dreaming. Now this was getting interesting! But then the chimes chimed out. It was time for snacks!

The spread offered apples, clementines, chocolate star cookies, trail mix, cheese, and kettle corn. This was around 10:30 PM. Who eats kettle corn at this time? I’ll tell you who–a lot of people. It was a hot commodity. Also, we could choose from three kinds of tea. Rubin Museum, you get me, man, you so get me. I had a turmeric tea. Mmm, so good.

Also, that’s not my camera doing weird things. Everything was tinged orange. Again, Rubin: You. Get. Me.

I brushed my teeth in a museum bathroom. How many of you can say that?

When I came back to my sleeping bag, I saw a stack of cushions. One of the docents had left them. I thanked her, saying I’d use them if I needed them, but my sleeping bag was good so far. After laying there a while, reading the same Kerouac book I’ve been reading for what now seems like eight lifetimes (referenced in several of the posts linked above), I realized I could feel the floor with my entire body. I tucked those cushions right up under me. Yep, that docent knew what she was talking about. How thoughtful!

Then it was time for my bedtime story!

First, a side note: My morning meditation routine waxes and wanes between silent to sound. When it’s silent, I usually have a mantra. I don’t feel like I choose it. I feel like it chooses me. Something pops into my head, and I use it as a mantra for however long it lasts in my mind. For the past few weeks, I’ve been using I am not the body.

I tell you that tidbit to tell you this: My story was Vow of the Bodhisattva in which Loke enters a state of samadhi. As he senses his own organs and bones and then subatomic particles he states, “I am not this body. All that I believed was a solid mass is nothing but vibration.”

Let me repeat: Loke in my bedtime story says the line that has been my mantra for the past few weeks.

This was meant to be!

Then it was bedtime. The museum provided earplugs, so I put them in. Then I put a blanket over my head and snuggled down into my sleeping bag. I feel asleep for a few minutes or more because the next time I opened my eyes, the lights had gone out.

And then? Things. Got Weird.

At least one person was singing in his sleep. Someone was also talking in his or her sleep. I heard that with the earplugs in. I know it was real. I don’t know if anyone else heard it. Then I started wondering if anyone was going to start sleepwalking. There were stairs! This could be tragic!

Then I started worrying that I wasn’t going to fall asleep and then I wasn’t going to dream and then my dream collector would have nothing to collect and I’d be a big huge disappointment to everyone, especially the bodhisattva.

Then I talked myself off that ledge. No one would care if I dreamed or not. In fact, the cafe was open all night for anyone who had insomnia and wanted to have tea.

I took out the earplugs, realizing that they could be the reason I wasn’t sleeping. Then I fell asleep for a bit. Then I woke up, realizing I’d been dreaming. I reached out for my phone to get some light and for my notebook to scribble down whatever I could. And then this went on, repeating itself, me waking with a start each time, wanting to remember what I’d dreamed.

When morning came, I was awake already. I actually went to the bathroom at around 5 something, careful not to trample on anyone sleeping. I know I wasn’t the only one awake because I’d heard the bathroom door opening and closing, and I heard the elevator ding a time or two. The sleep singing had stopped hours before, which was kind of a bummer because it was kinda funny.

My dream collector found me lounging–they wake you by shining a light your way–and we chatted about my dreams. She wrote things down and asked me about emotions and colors. She also asked if I dreamed about or felt influenced by my art. Nope. My dreams? Were whacked out. When she left, I looked at what I had written. The act of writing them down made me remember them, so I hadn’t had to look at my notebook when she was collecting. That’s a good thing, too, because what I wrote down looked like a lunatic had found a pen for the first time and decided to scratch at some notebook pages for a while.

Here are my dreams:

  1. A man in a hoodie standing against a wall holding something important.
  2. People needing to know the hours that Disney is open.
  3. A mall kiosk lady walking around her kiosk in a mall.
  4. Looking for a place to sit in a restaurant/cafe that I realized was RollNRoaster in Sheepshead Bay but also it wasn’t exactly that place, and then a tall dignified African American woman is with a large family and she’s wearing a trench coat and green patterned dress, and she stands up and politely says, I’m not going to wait anymore.
  5. There’s a ship in a storm but it’s not a real ship or storm because it turns out to be a tv set that looks like the set of that sci-fi show about water with the guy who was in that movie with the big fluffy white flying thing.

And that’s that.

I meditated for fifteen minutes. Then I trekked down to the cafe for breakfast with my notebook so I could do my morning writing. (It’s all about the routine). There was quite the spread for breakfast, too, but mostly stuff I don’t eat. Basically, it was all carbs and dairy, so like, the opposite of my life. Dreamover (5)

I was hungry, though, so I had three mini-muffins, fruit from the top of a parfait, and trail mix that was still out from the night before. I had green tea that was so so good. There was also coffee, apparently, but that looked pretty scary.

When I was done writing and nibbling, I packed up my stuff. Then I went to the morning breakout group to discuss our experiences. Again, there was a lot of awkwardness. We went around and made a group poem. I liked that, of course! Once the leader read the poem, I knew it was one of those poems that would also work backwards. I’m in the homestretch of teaching two creative writing workshops, so hearing work read out loud and knowing how to revise it comes to me instantly. It’s a gift. I didn’t ask for that, though, because everyone loved the last line, and I wasn’t into speaking up because the mini-muffins were weighing heavily on my soul.

We all said our thanks and goodbyes–I thanked the docent who had left me the cushions–and then I grabbed my bags and headed down the spiral staircase one last time. At the bottom was a station where we could draw something, so I drew a flower.

Then I went out onto the streets of NYC early on a Sunday morning. They were practically empty, so I wasn’t hitting into anyone with my gigantic bag as I strode uptown towards Penn. Then passing by FIT, I saw this for what seems like the first time:

dreamover-3.jpg

And that pretty much sums up the entire experience.