Dreaming Under The Bodhisattva

Remember how I’m always finding ways to lie down in New York City? Like when I’ve done yoga in Times Square? Or like when I went to the sound exhibit at the Rubin Museum? I found another way to lie down for an even longer period of time. Again at the Rubin, but this time, at night. It’s a Dreamover, y’all! That means I slept over at the museum. Dreams. Come. True. But like, the goal kind of dream, not the kind of dreamy dreams you have when you sleep. Because if the dreams I had at the Rubin actually came true, we’d have problems. I’m getting ahead of myself.

First, getting to the Rubin from home meant a train and a walk. That meant taking as little as possible with me, which is a good thing. I mean, remember all the bags I took with me for two and a half days at the ashram? I’m moving towards practicing non-attachment for sure, and so I chose to take a large bag to carry my sleeping bag and a pashmina and slippers, and then a backpack for toiletries, a hat, a book, a pen, and a pillow. A friend offered to lend me a camping blow up thingie, but that didn’t pan out, so here I was with as little stuff as possible for a few hours of sleeping.

Side note: This sleeping bag is seeing more action in the past few months than it has in years. Remember Fishkill?

Nothing I carried was heavy, but everything was bulky. At the train station, I had to ride the escalator sideways with my backpack hanging on one arm and the sleeping bag on the other. Walking downtown, that sleeping bag was whacking into people as I glided down seventh. I can imagine what I looked like: a tiny woman carrying a backpack as large as a small child, wielding an overstuffed beach bag, careening across every street. After this whole experience, I kept saying that I didn’t see anything strange this trip into the city, and right now I’m realizing that I was the strange thing that happened.

Anyway, into the museum!

As a crowd formed outside as we waited for the doors to open, a few dog walkers came by, and all the dogs stopped and wanted to go into the museum. Whatever energy was happening was already detectable. Then a few passersby asked what was going on. One woman behind me kept answering with “It’s a dreamover!” which lead to follow-up explanations until someone else simply started answering, “We’re dreaming with the gods and goddesses.” That answer seemed more sufficient for anyone who asked.

Finally, doors opened and in we went, sat at tables, and then got escorted to our artwork that we’d dream under. Everyone fills out a survey beforehand and gets art matched to them. And so I found myself in an alcove on the third floor–a place I’ve always found colder than the rest of the museum, and also the place I’d guessed I’d be–and my artwork was a bodhisattva with hands in a teaching position. Holding my place was a notebook, the agenda for the evening, and a slip of paper that explained why I was there: “We have paired you with a loving bodhisattva who offers you a teaching gesture, to support your deepening practice as a student but also the wisdom you have to give as a newly published author.

Yep, that’s the right piece of artwork for me.

I unrolled my sleeping bag, set up my pillow, put on my slippers, and sat. This was happening. The building carries sound, so I listened for a while and read the itinerary for the evening. There was going to be a lecture on dreams! I didn’t know that! Very cool. Then there would be breakout sessions! I didn’t know that! Very not cool for the socially awkward but here I was sleeping among strangers and only once did I think hey is this safe? and didn’t know the answer and did it anyway, so the breakout session was still on the list of things to do.

And then we’d get a snack!

And then we’d get a bedtime story!!

This was like kindergarten!!!

Once I was settled in, I met my nook-mate, a lovely woman who works in the arts. We chatted about creativity, and then she blew up her double-inflatable mattress while I sat on my cushy sleeping bag. My dream collector–the person who would be waking me up and asking me about my dreams–came over to explain my artwork to me. We talked about how it was perfect for me. She suggested I mimic the teaching mudra to see what the artwork was doing. (This is where I’ll tell you that I usually refer to mudras as Buddhist gang signs, which is probably not funny to Buddhists or the bodhisattva, so I didn’t say that joke there).

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Then I got up, realizing that, Hey, I’m in a museum! I can go museum-ing! And so I did. I walked up to the top floor and spiralled my way down. The only difference is that there were sleeping bags and mattresses and pillows everywhere. It was colossally strange in the most wonderful way possible.

I made my way down to the bottom floor theatre for the conversation between Tibetan Buddhist lama Khenpo Pema and Jungian analyst Patricia Llosa. I did that thing that I usually don’t like people doing–I sat right next to someone when there were clearly lots of empty seats elsewhere. I was kind of tired by this time–it was 9 PM, which is nearing my jammie-time, and also, I was focused on being able to see both people. Short gals gotta have a plan. The guy I sat next to didn’t seem to mind, and we chatted about what we were drawing. The screen on stage had a suggestion to draw our artwork from memory, so that’s what we were both doing. We both realized that we had very different pieces of artwork ,and they were both intricate, and neither of us excels at drawing.

After being welcomed and clapping for people who come back every year, the conversation began. It explored dreams from Eastern and Western perspectives, and it highlighted places where they converged mostly. There was a Q&A. This was an actual Q&A. It wasn’t like when I go to writing conferences and there’s a Q&A where people raise their hands and just talk without a question. There were actual questions!

That led to meditation. It was now almost 10 PM. I closed my eyes, breathed deeply, and then had a head jerk because I’d started to fall asleep. That happened two more times, not in the way it’s been happening during meditation because I’ve been falling deeper into the mind, but because I was sleeping, yo. Still, it was a good meditation session.

Onto the breakout groups! So awkward. So so awkward. Our floor was not a talkative floor, and the leaders were not talkative leaders. However, once there were a few questions like how to remember our dreams and answers about dreams and emotions, it was pretty okay. Then right before we were done, the conversation turned towards lucid dreaming. Now this was getting interesting! But then the chimes chimed out. It was time for snacks!

The spread offered apples, clementines, chocolate star cookies, trail mix, cheese, and kettle corn. This was around 10:30 PM. Who eats kettle corn at this time? I’ll tell you who–a lot of people. It was a hot commodity. Also, we could choose from three kinds of tea. Rubin Museum, you get me, man, you so get me. I had a turmeric tea. Mmm, so good.

Also, that’s not my camera doing weird things. Everything was tinged orange. Again, Rubin: You. Get. Me.

I brushed my teeth in a museum bathroom. How many of you can say that?

When I came back to my sleeping bag, I saw a stack of cushions. One of the docents had left them. I thanked her, saying I’d use them if I needed them, but my sleeping bag was good so far. After laying there a while, reading the same Kerouac book I’ve been reading for what now seems like eight lifetimes (referenced in several of the posts linked above), I realized I could feel the floor with my entire body. I tucked those cushions right up under me. Yep, that docent knew what she was talking about. How thoughtful!

Then it was time for my bedtime story!

First, a side note: My morning meditation routine waxes and wanes between silent to sound. When it’s silent, I usually have a mantra. I don’t feel like I choose it. I feel like it chooses me. Something pops into my head, and I use it as a mantra for however long it lasts in my mind. For the past few weeks, I’ve been using I am not the body.

I tell you that tidbit to tell you this: My story was Vow of the Bodhisattva in which Loke enters a state of samadhi. As he senses his own organs and bones and then subatomic particles he states, “I am not this body. All that I believed was a solid mass is nothing but vibration.”

Let me repeat: Loke in my bedtime story says the line that has been my mantra for the past few weeks.

This was meant to be!

Then it was bedtime. The museum provided earplugs, so I put them in. Then I put a blanket over my head and snuggled down into my sleeping bag. I feel asleep for a few minutes or more because the next time I opened my eyes, the lights had gone out.

And then? Things. Got Weird.

At least one person was singing in his sleep. Someone was also talking in his or her sleep. I heard that with the earplugs in. I know it was real. I don’t know if anyone else heard it. Then I started wondering if anyone was going to start sleepwalking. There were stairs! This could be tragic!

Then I started worrying that I wasn’t going to fall asleep and then I wasn’t going to dream and then my dream collector would have nothing to collect and I’d be a big huge disappointment to everyone, especially the bodhisattva.

Then I talked myself off that ledge. No one would care if I dreamed or not. In fact, the cafe was open all night for anyone who had insomnia and wanted to have tea.

I took out the earplugs, realizing that they could be the reason I wasn’t sleeping. Then I fell asleep for a bit. Then I woke up, realizing I’d been dreaming. I reached out for my phone to get some light and for my notebook to scribble down whatever I could. And then this went on, repeating itself, me waking with a start each time, wanting to remember what I’d dreamed.

When morning came, I was awake already. I actually went to the bathroom at around 5 something, careful not to trample on anyone sleeping. I know I wasn’t the only one awake because I’d heard the bathroom door opening and closing, and I heard the elevator ding a time or two. The sleep singing had stopped hours before, which was kind of a bummer because it was kinda funny.

My dream collector found me lounging–they wake you by shining a light your way–and we chatted about my dreams. She wrote things down and asked me about emotions and colors. She also asked if I dreamed about or felt influenced by my art. Nope. My dreams? Were whacked out. When she left, I looked at what I had written. The act of writing them down made me remember them, so I hadn’t had to look at my notebook when she was collecting. That’s a good thing, too, because what I wrote down looked like a lunatic had found a pen for the first time and decided to scratch at some notebook pages for a while.

Here are my dreams:

  1. A man in a hoodie standing against a wall holding something important.
  2. People needing to know the hours that Disney is open.
  3. A mall kiosk lady walking around her kiosk in a mall.
  4. Looking for a place to sit in a restaurant/cafe that I realized was RollNRoaster in Sheepshead Bay but also it wasn’t exactly that place, and then a tall dignified African American woman is with a large family and she’s wearing a trench coat and green patterned dress, and she stands up and politely says, I’m not going to wait anymore.
  5. There’s a ship in a storm but it’s not a real ship or storm because it turns out to be a tv set that looks like the set of that sci-fi show about water with the guy who was in that movie with the big fluffy white flying thing.

And that’s that.

I meditated for fifteen minutes. Then I trekked down to the cafe for breakfast with my notebook so I could do my morning writing. (It’s all about the routine). There was quite the spread for breakfast, too, but mostly stuff I don’t eat. Basically, it was all carbs and dairy, so like, the opposite of my life. Dreamover (5)

I was hungry, though, so I had three mini-muffins, fruit from the top of a parfait, and trail mix that was still out from the night before. I had green tea that was so so good. There was also coffee, apparently, but that looked pretty scary.

When I was done writing and nibbling, I packed up my stuff. Then I went to the morning breakout group to discuss our experiences. Again, there was a lot of awkwardness. We went around and made a group poem. I liked that, of course! Once the leader read the poem, I knew it was one of those poems that would also work backwards. I’m in the homestretch of teaching two creative writing workshops, so hearing work read out loud and knowing how to revise it comes to me instantly. It’s a gift. I didn’t ask for that, though, because everyone loved the last line, and I wasn’t into speaking up because the mini-muffins were weighing heavily on my soul.

We all said our thanks and goodbyes–I thanked the docent who had left me the cushions–and then I grabbed my bags and headed down the spiral staircase one last time. At the bottom was a station where we could draw something, so I drew a flower.

Then I went out onto the streets of NYC early on a Sunday morning. They were practically empty, so I wasn’t hitting into anyone with my gigantic bag as I strode uptown towards Penn. Then passing by FIT, I saw this for what seems like the first time:

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And that pretty much sums up the entire experience.

Official Voice Over-er

Remember back in June when I joked around about that Groupon I got for that voice acting workshop and I was all like This could be my side hustle ha ha ha? Yeah, so fast forward to the next few months when I find myself deep in commercial and narrative scripts and on three separate phone calls devoted to learning about the industry and my own voice. Yeah, that’s right. I signed up for the course.

Fast forward to October. Instead of a phone call, I was up for a face-to-face session of recording several of those scripts using the voice I’d been working on for those few months. Voice Coaches set up some studio time for me on a Friday  as per my request to make it “before the snow comes.”

Now,  you may remember the last time I drove upstate for a reading at Bright Hill Press and Literary Center. That’s located in  Treadwell, NY. Do you know where that is? If you’re answer is “no,” then you’re not alone because the GPS didn’t know where the heck it was, either. There was a lot of drive-crying when I missed a turn and wound around some mountain roads and double-backed a few times until taking myself to Oneonta via the road to Delhi because the road to Oneonta from Treadwell was closed. I mean, the reading was totally worth it. And I also ended up drive-crying on the way home when I didn’t even get lost; yes, there was drive-crying because I was so proud that I didn’t get lost on the way home.

That little refresher is to inform you that there was no drive-crying on this trip! There was a case of Wow, I forgot to bring extra deodorant so let me find a CVS to buy some because the Great Natural Deodorant Experiment of 2018 sometimes doesn’t pan out so well. But there was no drive-crying and there was no CVS-crying or Where’s The Deodorant At-Crying. Overall, no crying. The studio was in Albany, so the GPS knew where that was and it also found the CVS without a hitch.

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Instead, there was a whole lot of being completely psyched to be recording my demo. When I got to the studio, I was even more psyched because they had awesome mints and fun fish.

Then we recorded. Oh, btw, “we” is me and the producer-tech-voice-over-er-instructor Josh. That guy is the definition of pumped up. Like, every phone call started with Christina, are you ready??!!??!! The same thing with the demo. Christina, are you totally ready??!?!?!!!When I got into the booth after a tour of the absolutely gorgeous studio and found the mic magically at my height, I asked him how short the person before me in the booth had been. He probably wasn’t expecting this question, but I notice when things are actually my height because that rarely happens. Turns out he lowered it a whole lot after briefly meeting me in the waiting area. Ha! Stealth. Also we found the smallest headphones because short gal’s got a small head, too, yo.

We plowed through script after script. Every take was exhilarating. It went by so fast. Seriously fast. I can read! Out loud! All those years of being an English Professor, paying off in a little booth in Albany.

After we finished recording, we started talking about when my demo would be ready, how to land jobs as voice talent (that’s me! I’m the talent!), and networking. The conversation derailed into hockey and tiny towns where there’s nothing to do. We got back around to the voice stuff and then it was done. And done!

I knew I’d get the downloads for the demo in a few weeks. I knew I would get demo CDs in the mail around the same time. When the email arrived with the link (it’s here!), I was excited. When the CDs arrived, I was thrilled.

But then? Then! I got a certificate! It’s got my name on it and everything! Okay, okay, so I have diplomas and certificates for stuff I’ve completed. Usually, I’m like, oh that’s nice, here’s a frame. This one, though, was totally unexpected. I didn’t know I’d get a certificate, so I squealed like a five year old and danced around my kitchen when I saw what it was.

VoiceCoachCertificate

And that’s the story of how I’m now an official voice over-er. Thank you, Voice Coaches, for the motivation, the fun, and the voice adventure.

A World Of Color, or Everything Worth Doing Ends With A Ball Pit

Another day in NYC, another pop-up museum. But not just any other. Color Factory NYC stands as my favorite pop-up museum, temporary exhibit, and all around way to spend an evening. Immersive in color from room to room. Adding sweet treats along the way. Some poetry. Some movement. Some drawing. Some drumming. Some spinning. Some labyrinth walking. Something for every sense and then something more. Throw in some banter with a factory worker about guessing how old I am (we agreed on anywhere between 28 and 52) and that same worker letting S and me grab an extra marshmallow before heading to the next room, and throw in a free coat check that would hold my great big orange bag (courtesy of S — 45% of our friendship is giving bags to each other that we have to then hold for the rest of the time we hang out), and throw in a map of NYC that shows where to find colors specific to NYC, and there you have it. My fave by far. Also, a ball pit. I didn’t get stuck, but when I got neck deep, I also go claustrophobic and had to get out of the ball pit quick. Ever try to get out of a ball pit quick? It’s kinda slow. But still, my fave.

Color Factory Balloon Room 1

These balloons flew around.

Color Factory Dance Floor 1

Dancing!

Color Factory Secret Color Booth 1

There’s a long explanation of this photo but I’m going to let the psycho scare speak for itself.

Color Factory Drawing (1)

Listening

Color Factory Drawing (2)

Drawing

Color Factory Labyrinth (3)

Choosing A Path

Color Factory End (1)

Color Factory End (3)

And for the record, pre-claustrophobia:

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Tesla, My Neon-Bright Love

IMG_1068Nikola Tesla invented. From his mind circa the 1880s came electricity. Okay, not exactly, but his inventions harnessed power and revolutionized technology. Also, he’s been popping up in my life in various ways. Remember that time my brother and I went daytripping in StonyBrook and stumbled across the Tesla exhibit? Remember that time I trounced around NYC and stumbled across the random street sign for Tesla? Remember that time I was on vacation and the hotel tv was playing a series about Tesla non-stop? Remember that time Tesla opened for Def Leppard at Jones Beach? Okay, different Tesla, but still. And but really? Is it different? Anyway, Tesla needs me. Maybe I need him.

In fact, if you’ve been at any of my recent poetry readings, you know I need him. I’ve been writing about him. If you know this, then you also know he’s the basis of my next collection. Poetry needs Tesla, too.

The best way to discover why our mutual affinity has been growing was to attend his birthday celebration. You might say, But wait, isn’t he, like, no longer among the living? To that I say, What’s your point? Wardenclyffe is still standing.

Out in Shoreham, Tesla did some things. His lab is there along with the remains of his tower of power–just the base squares in a circular pattern on the ground. The Tesla Science Center at Wardenclyffe plans to reopen the grounds as a science center. Right now, it’s still kind of desolate, but it serves quite nicely as a place for a birthday celebration.

This year, they held the Neon Birthday Expo. The expo included tours of the grounds, robotics demonstrations, tables of local artists and science-related clubs and organizations, a neon tent dedicated to neon things, and a PSEG table from which I scored another new pair of free sunglasses. All my sunglasses are now sponsorships. Tesla cars lined up and showed off.

I was in my nerdy geeky techy love glory. Moseying along the nature path. Moseying around the perimeter of the grounds. Moseying through the neon tent and then moseying quickly out because it was about 1000 degrees inside. (All the moseying was due to the day being really hot and we were all in direct sunlight. Which is actually a good thing because it was a birthday celebration and birthday parties should be sunny. )

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Find Clayton Orehek for all your neon art needs.

The keynote speaker was Gregory Olsen. Um, you guys, he’s an astronaut.  This totally made up for my not being able to find the astronaut at BEA. 

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Kyle Driebeek played Happy Birthday on the theramin. If you don’t know what that means, click this link because the link is better than any way I might attempt to describe it.

Then, there was cake. I shit you not. They had two sheet cakes complete with Tesla’s face on them.

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I’m looking forward to the day when we can head out to Wardenclyffe when it’s all decked out as a science center. It’d be one step closer to meeting the man himself. In the meantime, there’s always Belgrade.

Oh, and this. Because I like to amuse myself.

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Gifted

It’s the last week of classes, and I was collecting piles of portfolios yesterday from my two creative writing classes. It’s been a long semester. I even took a mental health day a few weeks ago. I’ve never done that ever in my career, so you know it had to be a real need. What did I do that day? I graded and made sure all my grade books were up to date. That made me mentally healthy.

So yesterday I walked into the classroom and immediately I got the sweats. For those of you who know already, the sweats are really part of who I am. However, this time it wasn’t the Nervous Sweats or Sweats Of Great Jubilation or Swearing Through The Awkward. This time I started sweating because the classroom was 80 billion degrees, give or take a few. Because I teach in a building that’s a hundred years old—one of two that didn’t get closed down while the other one that didn’t seem worse but I suppose was actually did. Get closed down that is–the heat doesn’t regulate itself to adjust to the temperature outside. Now that it’s a typically cold season, the heater stays on no matter what’s happening outside, like the 50 degree weather. Unless of course you go to the bathroom, and in there it’s a balmy negative 2.

Side note: last year, one of the bathrooms stopped working in the building that did not get closed down this semester. It was the only lady’s room available unless you went to the third floor. Fact: I didn’t know there even was a third floor. One of my students came back to report it was creepy so the next time someone had to go, I yelled out, Bring a buddy! And they brought buddies, and I told them if they weren’t back in ten minutes, we’d all come up there looking for them, which back then was for their own safety, but right now I realize I could have caused extra  distress for anyone having digestive afflictions. Thankfully they were back in under ten minutes and no one got murdered on the mysterious third floor. This is the building that remains open. This is also the building that currently has a gate and plywood and caution tape across a set of formerly automatic doors that led out to a ramp. There is now a makeshift ramp on the other side of the building, precariously build over dirt piles, blocking off any steps to the entrance, and not wide enough for a wheelchair to make a turn or for two people to cross paths. Again, this is the building that’s open.

I settled in to the 80 billion degree room as any adult would: by shouting Omigosh, you guys, it’s so friggin hot! Then I peeled away layers of outer wear and then a cardigan and then fanned myself down with brochures for the Writing Center that have been stacked on my podium all semester. At least this room has a podium, and at least the podium faces the class.
We got into greetings and salutations, and one of my students indicated a shiny red bag that I’d spotted sitting on my desk when I walked in. I rarely sit at that desk because of said podium. He was like, this is for you and you can open it now if you want.

And my reaction was, Really? Are you sure?

Once in my teaching career I’ve been given a gift. It was a journal and it was very sweet. Since then, I’ve mostly been given handshakes after which I Purell and the occasional awkward hug. I’ve also fended off both because germs don’t understand affection. Still, I’ve been open to big hugs and handshakes for those who really truly genuinely react that way. FYI: I never instigate the touching, even though sometimes in my mind, my normal reaction says to me, I’d give this person a hug in a different situation. Sometimes I’ll say something like, this portfolio was so good that I want to shake you OR your writing was so fantastic that I want to punch the wall! They laugh because the ones I say that to understand what passion is.

So now here’s a gift bag with a gift in it, and it’s guaranteed that it’s mine. Hmm. Whenever I see a name on a roster for an upcoming class that I recognize as someone who has taken a different class with me previously, I always assume they don’t remember what went down and probably enrolled with me again by accident. I know I’m a good teacher, but that means I really challenge my students at a college level, and I’ve been known to be a bit too sarcastic, which I genuinely have tried to tone down over the years because a lot of young people don’t get it and think I’m serious and rude.  I can be all three but still I’ve tried to convert my sarcasm into some sort of dad joke vibe. Basically I’m a closet stand-up act, and I have a captive audience. This is the power that professors yield.

Back to the gift. I was like that’s so sweet! I’ll open it after we go over a few things to ensure you don’t want to take it back.

See? I’m funny.

We went over a few things, and he didn’t take it back, so I opened it, and it was a mug, and I said thank you about 8 billion times as we all sweated together, and I noted how I could drink my tea from it. There was a card, but I kept that for after everyone else had gone. Then he asked to take a picture with me, and because I’m now high off of being the recipient of a gift, I think I’m a pretty big deal, so I say yes to the picture, making sure he acknowledges that we will both look sweaty and gross, and I sit on the radiator that’s 80 billion degrees, and he leans back against the radiator next to me so that we’re the same height, which shows how he’s really the sweetest young man ever and his friend counts down the photo and then counts down a second, and I’ll point out again that I’m clearly a pretty big deal.

It’s probably one of the highlights of my teaching career not because of the gift itself but because lately I’ve come pretty close to giving up faith in everything about teaching and my overall institution.

Then in That’s About Right fashion, I walked into my next class bogged down with my rolly bag filled with portfolios, an armful of outerwear, my water, and the gift bag, sweat evaporating from my head and face. I plopped everything down and sat at the desk I haven’t really sat at a lot because the computer in this room is in a small metal box in the other corner, facing away from the class, and that’s where I conducted most of the lessons, but this was the last day, so I kept the desk where it was and sat on the other side of the room, which felt weird because I was facing them for once instead of twisting my body around.

One of my students was like, Is that a gift for me?

And I was like, someone gave that to me.

And they were all like, a student?

And I was like, yeah.

And they were like, Really?

And I was like, I know.

And they were like, Really?

And I was like, I was as confused as you.

Clearly I was not the only one. Several of them were convinced it was to get a higher grade but the gift-giver is super smart and doesn’t need bribery. There were two more students who came into my second class late, saw the gift, and then asked if they could go buy me something. I was like, I’ll take whatever you give me, but it won’t make your grade higher, and they responded with, never mind that’s cool I’m sure I’m fine.

And they’re all fine for the most part. This profession is fine for the most part. Sometimes, however, a little pick-me-up goes a long way to really change a perspective that’s been drowning in the part that hasn’t been so fine.

I Don’t Know Why I Thought The MoMA Wouldn’t Be Crowded

The Friday before Easter, I was like, Hey, let me hop on a train and go into the city to see art because I feel like ending my Spring Break on a leisurely relaxing jaunt. I was even able to drive my car to the station and park instead of walking there like I did on my last (sweaty) museum adventure. I got in enough walking through the museum, though it was more like being pushed along with throngs of people than actual walking.

The Travel Zoo discount pass I had instructed me to go to the counter for entry. Easy enough. I walked into the MoMA. I had thought that there would be a lonely counter waiting for me to walk up to it for entry. I don’t know why my mind creates such ideas.

First off, there are many counters. Secondly, there are also many lines. Thirdly, there were many, many, many people. Wall to wall people. People everywhere.  I found a line for special ticketing and showed my printout and a woman told me to go ahead and get on that line, which was shorter than the others, which made me happy.

I’m pretty good with crowds. I’m used to being jostled because people don’t look down. On this line, however, I was clearly on it, standing there, taking up existence in space. The woman behind me did not seem to care about that. There was some bumping. A bit of elbowing. Some more hovering. I kept standing and breathing and telling myself I was not being annoyed. Then she hit me in the head with her museum map. This annoyed me. I turned around and looked at her. She looked at me. I turned back around, satisfied that this eye contact would solve the issue.

The map hit my head again. I turned around again and gave her my “quit it” face, which is a pretty powerful face if you ask any of my students or strangers who have annoyed me like this before. It didn’t seem to phase her. So naturally, I did the very adult thing of putting my hand on my hip and jutting out my elbow to create space, and also so that when she bumped me again, she’d get a pointy jolt. She continued to bump and hit me in the head.

This is the point when I thought to myself, I am about to get into the first fist fight of my life. And I don’t think I was joking to myself. I was literally thinking about how she was taller than I was and how I wouldn’t cause much damage. I also thought about how people don’t get into fights in museums. Then I thought that I could be arrested if I got into a fight, which is when I really stopped thinking about punching her. Yes, that’s the reason I didn’t get into a fist fight at the MoMA. And then I was called to the counter and allowed entry. She’s so lucky.

I went to the top and worked my way down, meaning I did what everyone else did, and it was crazytown. I knew I was done looking at a piece of art when the people around me were also done because we all moved together, being pushed and pushing each other from room to room. This was a different kind of pushing from the waiting-in-line pushing. This was more like a flow of artistic mesmerization.

The non-permanent exhibitions were Nan Goldin: The Ballad of Sexual Dependency. That exhibit came with a warning before walking in that not everything there was suitable for all ages. The first thing I saw was a photo of a penis, so, agreed. Unless you’re European. This one does not have a visible unit.

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The Hug, New York City, 1980 — this reminded me of a Vettriano painting.

Nearby was Teiji Furuhashi’s Lovers: a dark room with a motion-sensor projector in the middle that projected silhouettes of naked men wandering from and to nowhere.

In non-nakedness, there was How Should We Live?, an exhibition that felt like a fancy showroom in IKEA. This is not an insult.

Dust Gathering was another, though I didn’t really know what it was about other than there was a helicopter floating from the ceiling.

I spent most of my time moving through rooms and rooms and rooms of permanent exhibits, or what I think were permanent but I’m not sure.  I just kept moving through rooms.

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Paul Chan: The Body Of Oh Marys — because anything with writing on it draws my attention

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Barnett Newman: Vir Heroicus Sublimis — because I think it’s pretty neat that someone can paint the same color across a canvas that size evenly

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This isn’t the artwork, but I loved it. It’s a shadow of Aleksandr Rodchenko’s Spatial Construction #12.

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Shirana Shahbazi: Composition 40-2011

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Giorgio de Chirico’s The Serenity of the Scholar — because I’m a scholar, right?

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I don’t know what this was. I was amusing myself because of the reflection.

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This is Andrew Wyeth’s Christina’s World. I’ve always loved this painting for obvious reasons until I actually read what it was about–this lady has polio and is movement impaired. It’s less whimsy, more tragic.

At one turn, there was a huge mob, bigger than the other normal mobbing from room to room. Then I realized why.

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This is Starry Night.

Oh, I also got admonished by a security guard who asked me to step back from a Dali painting. Heh heh. Where was he when I almost decked that woman on line?

I stood in the sun for a while when I got back down to the ground floor.

Then I decided that the museum itself was art.

I headed home just in time to miss the non-running-train catastrophe at Penn Station, which meant I got to have a leisurely train ride home with a seat all to myself.